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Word: warm (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Uncle Chuck finally felt wanted), sometimes seemed to be writing an artful recruiting appeal for parent participation in youth groups. But his simple story was redeemed by an authentic feel for the peculiarly Jewish blend of wry humor and forthright sense of Manhattan's Seventh Avenue, and the warm, shamblingly expert performance of Slezak, who can (and frequently has) played this kind of role so expertly that it seems disarmingly artless...

Author: /time Magazine | Title: Television: Review | 4/21/1958 | See Source »

Pierians kept the "town" in mind when planning their activities. Whenever they felt they played well enough, they serenaded the ladies of Cambridge. Invitations inside the ladies' homes to warm the chilled musicians were the objects of these expeditions, but if an invitation were lacking, the resourceful Pierians turned to the Wursthaus of their...

Author: By Jean J. Darling, | Title: 150th Anniversary of Pierian Sodality | 4/17/1958 | See Source »

...Jorgenson and Sylvia Hunter's idea of turning the clock back is to get divorced and marry each other. A couple of years pass, and as Molly and Johnny cool toward their parents, they warm to each other. In keeping with the outdoorsy spirit of the novel's amours, Molly finally succumbs to Johnny on a sand dune. The wedding bells have a somber ring, what with Molly pregnant at 17, but middle-aging Ken and Sylvia Jorgenson rally round, and Summer Place ends on a sunnily implausible note of general contentment...

Author: /time Magazine | Title: Books: Typewriter Tycoon | 4/14/1958 | See Source »

METRO-GOLDWYN-MAYER hankers to make Hollywood's first move into live TV. Negotiations with TV's Robert (Omnibus) Saudek are getting warm, and plan is for joint production of six 60-to-90-minute spectaculars costing $350,000 each during 1958-59 season...

Author: /time Magazine | Title: Time Clock, Mar. 31, 1958 | 3/31/1958 | See Source »

...shaken out of his surrealist visions by World War II nightmares, spent four days in 1942 in a Trappist monastery that "transformed" him. Today he tries to "create works which reflect my thirst for harmony and unity." His "meditations in paint" are vivid abstractions that combine warm, bright Fauve-like colors with the restrained forms of cubism. ¶ Jean Dubuffet, the chief barnstormer for "I'art brut" (raw art), who mixes a thick paste of colors with sand and even ashes, constantly changes his style because "I am unstable and anxious." Using as his point of departure children...

Author: /time Magazine | Title: Art: ECOLE DE PARIS | 3/24/1958 | See Source »

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