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...clock. They cannot step outdoors without a KGB escort. They are denied a telephone (they use pay booths or a special phone center). Because of jamming, they must go to the edge of town, where reception is good, to listen to the radio. There are touching moments of warmth between "Andryusha" and "Lusia" (or "Andryushenka" and "Lyusenka"), as they address each other. But the KGB's chilling presence invariably reasserts itself. As Bonner's title puts it, she and Sakharov are truly alone together...

Author: /time Magazine | Title: At War with the KGB | 10/13/1986 | See Source »

...imagine what he thinks of the bidet in his hotel room. Of course, Susan is forced to choose between her proper editor/boyfriend and the rugged Crocodile of her dreams, but Hogan, an appealing actor of sardonic understatement, gives this old hat plot new life. He plays Mick with a warmth and naivete which make all of his gaffes fun to watch, and his encounter with two prostitutes is a comic stand-out. "Crocodile Dundee" surely will not be remembered as one of history's finest films, but, thanks to Paul Hogan, it proves to be a fair enough...

Author: By Ellen R. Pinchuk, | Title: Down Under Delight | 10/3/1986 | See Source »

...little too aggressively, and Brimley's big scene (telling off the school board when it denies his granddaughter permission to transfer high schools) plays like a recruitment poster for Grandpa power. Still, Brimley's unsentimental portrait and an unusually well directed group of child actors give Our House a warmth and authenticity reminiscent of The Waltons...

Author: /time Magazine | Title: Video: All in the Family Again | 9/29/1986 | See Source »

While many would consider factory work "educational," I am living testimony to the fact that the Tolstoyan concept of the warmth and nobility of the working class doesn't always apply to its treatment of "college boys." In fact, in my case, it was a bunch of stinkweed...

Author: By Benjamin N. Smith, | Title: Those Back-to-School Blues | 9/7/1986 | See Source »

Digital recordings, the critics contend, are devoid of the warmth and ambience that marks the best analog recordings when played on the finest equipment. Further, they say, the arbitrary sampling rate of a CD results in an incomplete snapshot of any given moment of sound. "The woodwinds all sound alike," claims Pearson. "You can't tell the difference between one string or the other, and you can't tell if what you're hearing is a horn or a trumpet. Digital audio is like McDonald's hamburgers. It's all alike...

Author: /time Magazine | Title: Music: The Great Lp Vs. Cd War | 8/25/1986 | See Source »

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