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Stapleton and Balsam are two of the most seasoned professionals in show business; both listen and react with a skill that lends the slender script warmth and pathos. They receive scant help from the Perrys. In the original story, Belli, despite his name, is Jewish. Here he is simply "Russian." In the story, Miss O'Meaghan sits atop a gravestone and imitates Helen Morgan singing Don't Ever Leave Me-and is interrupted by a file of shocked Negro mourners. Here she is given a bland song (lyrics supplied by Eleanor Perry because rights to the original were...

Author: /time Magazine | Title: Cinema: Cyclamate Substitute | 11/21/1969 | See Source »

...large group of freaks huddled together for warmth. We joined them. A couple of people in our group returned from a trip to the VW with bread, cheese, and grass. Soon joints and all sorts of food-chicken, mints, cheese, peanut butter-were being passed through the crowd. We sang with Pete Seeger, we jumped for Richie Havens, we laughed at Tim Leary. A fat man frowned and a young girl took pictures while we rolled joints; everybody else smiled. Then they announced Earl Scruggs. We jumped up and began a round

Author: By Sandy Bonder, | Title: On the Far Side of the Monument | 11/20/1969 | See Source »

...Warmth and Style. "It is the young," according to Furrier Jacques Kaplan, "who are making furs an up-front fashion. They do not want status, just warmth and style." With youth in mind, and to revive a market that dropped 40% in sales between 1947 and 1967, Kaplan branched out into inexpensive furs like mink paw, fitch and squirrel. When they caught on, he went farther still-this year into wildcat, Spanish bull and monkey...

Author: /time Magazine | Title: Modern Living: The Skin Game | 10/31/1969 | See Source »

...portraits. Filled with bunched bodies and old faces these master pieces appeal even to the skeptical modern eye. Concentrating on the crowd, some doubting, some frightened, some barely paying attention, Rembrandt depicted how ordinary people react to Christ in the course of day-to-day existence. The warmth emanating from Christ incorporates itself in details among people, in a calm face or one hand leading another...

Author: By Cynthia Saltzman, | Title: Rembrandt Rembrandt: Experimental Etcher at the Museum of Fine Arts through Nov. 7 | 10/31/1969 | See Source »

...bold, the conventionally beautiful, cultivated a secret garden of everyday artifacts. The melancholy strain resurfaces in George Segal's Gas Station and Andy Warhol's photomontage of an electric chair. Even in a painting like Barnett Newman's Anna's Light, for all the persuasive warmth in which it wraps the spectator, nothing can alter the fact that there is only emptiness on Newman's horizon...

Author: /time Magazine | Title: Art: From the Brink, Something Grand | 10/24/1969 | See Source »

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