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Word: warmth (lookup in dictionary) (lookup stats)
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Scott needs the warmth and love that his family can give him. Losing them would be a far more traumatic experience than any he might have 14 or 15 years from now, when he starts to date. By that time, society may have altered so that interracial dating will no longer cause problems...

Author: /time Magazine | Title: Letters: Nov. 15, 1968 | 11/15/1968 | See Source »

...stubborn Democratic battle that Humphrey watched in a 14th-floor hotel suite was in no small measure a tribute to his rare amalgam of warmth, courage, do-gooding liberalism and practical politics. "Hubert is not a gut fighter," Lyndon Johnson, an expert judge of the breed, carped in 1960. Yet Humphrey could hit hard and often-as he did in the closing weeks of the 1968 campaign. Despite his revilement by dis. sident Democrats, there is no reason why Humphrey should not remain a major figure in the Democratic Party. Still, his defeat marks an exit-the exit...

Author: /time Magazine | Title: THE LOSER: A Near Run Thing | 11/15/1968 | See Source »

Gorey: Humphrey's audiences are responding differently now. Even his disorganization is helping him project more warmth. Humphrey is a "people man. He gets his ideas by and while talking. His campaign has an engaging "what the hell, let's see what happens" atmosphere about...

Author: /time Magazine | Title: Nation: THE CANDIDATES UP CLOSE | 10/18/1968 | See Source »

EDDIE HARRIS, PLUG ME IN (Atlantic). An electric tenor saxophone? The idea may offend jazz purists, but rock fans will get a charge out of this easygoing soul session. With capable backing from such musicians as Jimmy Owens and Joe Newman, Harris uses his extra go-power to create warmth and depth. The set gets off to a rolling, sinew-stretching start on Live Right Now, a down-home boogaloo. Harris plays with heavy-throated gentleness on the bluesy Ballad (For My Love), and with a dulcet, flowing tone on Winter Meeting. There's just a bit of metallic...

Author: /time Magazine | Title: Television: Oct. 11, 1968 | 10/11/1968 | See Source »

Though The Immortal Story is a French production, it, too, boasts an American director, the prodigious Orson Welles, adapting an Isak Dinesen anecdote. The works of the Scandinavian taleteller resemble rows of icicles, gelid, brittle and pure. To bend them is to break them; to lend them warmth is to make them lose their integrity. Even Welles has been unable to fashion more than a laborious, misshapen exercise. The reasons are obvious. This is his first film in color-an inappropriate mode for a fiction written in etched, formal prose, devoid of the sensual palette. Secondly, because the movie...

Author: /time Magazine | Title: Cinema: A Festival of Diamonds and Zircons | 9/27/1968 | See Source »

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