Search Details

Word: warmth (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Francisco home. And she has arrived on time. Until now, Flower Drum Song has been nothing but the newest Rodgers and Hammerstein hit musical-brisk, bright, opulently staged, professional. When Miyoshi Umeki glides onstage to star in her first Broadway show, her first four words capture the house. The warmth of her art works a kind of tranquil magic, and the whole theater relaxes...

Author: /time Magazine | Title: BROADWAY: The Girls on Grant Avenue | 12/22/1958 | See Source »

...high points, notably the stunning Gregorian chant tenor solo, sung by Donald Brown. The Williams Glee Club sang with perfect intonation and balance, but these could not make up for its unpolished and open tone. An uneasy, strained quality dominated the performance, relieved only occasionally by sections of tonal warmth...

Author: By Paul A. Buttenwieser, | Title: Harvard-Radcliffe Orchestra | 12/6/1958 | See Source »

...bursting seas were cold-40°-and the air above the water was even colder. The men huddled together, breathed warmth onto each other's bodies. Fleming directed Mays and Strzelecki to hold on to each other as he put his arm around Meredith, scantily dressed and near freezing. Fleming kept telling...

Author: /time Magazine | Title: DISASTERS: The Death of the Bradley | 12/1/1958 | See Source »

...various mornings-after between 1908 and 1920, Amedeo Modigliani carved and painted in Paris a few hundred works of purity, warmth and glamour. Almost all the pictures represented people he loved, but with rubicund flesh, swan necks outstretched, ski-jump noses and sightless, slanting eyes. They were men and women molded to a very private vision of how humans ought to look, a vision that only Modigliani's power as a designer could put across and make seem beautiful. All his control was reserved for art; in life he had none...

Author: /time Magazine | Title: Books: Morning-After Artist | 12/1/1958 | See Source »

...same work with Kirsten Flagstad and the Chicago Symphony eleven years ago. This time Rodzinski was hampered by scant rehearsal time and by the fact that the Lyric Opera's orchestra is a competent but far from first-rate pickup group. But he kindled a performance of ravishing warmth and coloration, better by far than anything previously heard from the Lyric Opera's pit. With Soprano Birgit Nilsson as Isolde, Tenor Karl Liebl as Tristan, and Mezzo Grace Hoffman as Brangaene, Rodzinski shaped a youthfully vibrant production, as remarkable for its knotted dramatic tensions...

Author: /time Magazine | Title: Music: Artur & the Dragons | 11/24/1958 | See Source »

Previous | 380 | 381 | 382 | 383 | 384 | 385 | 386 | 387 | 388 | 389 | 390 | 391 | 392 | 393 | 394 | 395 | 396 | 397 | 398 | 399 | 400 | Next