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...react-perhaps because of an abnormality in the higher centers of the brain. In some, the indifference to pain seems to have worn off somewhat in later life. Strangely, there is still no consistent evidence as to whether these individuals react to pleasurable sensations, such as "cozy warmth or coolness, or caressing or soothing touches...

Author: /time Magazine | Title: Medicine: Pain Puzzle | 1/14/1957 | See Source »

...message is delivered by a Negro (Sidney Poitier) to a white man (John Cassavetes). Surprisingly enough in a Hollywood movie, the Negro is not only the white man's boss, but becomes his best friend, and is at all times his superior, possessing greater intelligence, courage, understanding, warmth and general adaptability. The mystery is why so engaging a Negro would waste time on so boringly primitive a white...

Author: /time Magazine | Title: Cinema: The New Pictures, Jan. 14, 1957 | 1/14/1957 | See Source »

...group, fully capable of stirring up a roomful of excitement while its players maintained a kind of Gallic detachment. In a program of modern French music, they gave a virtuoso performance, rippling through the runs with the clear articulation of woodwinds, melting into the passionate sections with sharply contrasting warmth. The players neatly sorted out the intricacies of Martinet's twelve-tone Variations and romped through Milhaud's dancy, polytonal Quartet No. 13. They spectacularly dramatized Martinon's Quartet, Op. 43, with its melodramatic outbursts, its massed tonal tumbles, its lovely patterns in the adagio movement...

Author: /time Magazine | Title: Music: Rising Quartet | 12/31/1956 | See Source »

...Hopper's quiet canvases, blemishes and blessings balance. He will paint an ugly front stoop and the warmth of sunlight on it, or a sooty curtain stirring with the fragrance of an unexpected breeze. He presents common denominators, taken from everyday experiences, in a formal, somehow final, way. The results can have astonishing poignancy, as if they were familiar scenes solemnly witnessed for the very last time. "To me," says Hopper, "the important thing is the sense of going on. You know how beautiful things are when you're traveling...

Author: /time Magazine | Title: Art: The Silent Witness | 12/24/1956 | See Source »

...themes, that begins with paintings from the Roman catacombs and covers more than 14 centuries before it comes to rest with the all but serene Biblical painting of Rembrandt. The contrasts are fascinating: between the somber faith of the Spaniards and the Gallic directness of the French, the controlled warmth of the Italians and the austere faith of the Germans. It is a brilliant sampling that shows, among other things, how national character, as well as time and place, alters the face of Christian...

Author: /time Magazine | Title: Books: Good to Look At | 12/17/1956 | See Source »

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