Word: warner
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Dates: during 1920-1929
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Team D--R. S. Ogden '31 and Vahan Moushegian '32, ends; Nathaniel Warner '30 and G. L. Lewis, Jr. '30, tackles; J. R. Truden '31 and C. D. Newhart '31, guards; C. C. Cunningham '32, center; R. F. Gleason '32, quarterback; D. McL Greeley '31, P. A. Fullam '32, and Coach E. L. Casey '19, who filled in, all played in the backfield...
...waste three-quarters of the film telling a poppycock love story about one of his friends. Most of the photography is poor. One of the rare good shots: newsreel of the actual crowd waiting in Berlin streets to see Richthofen's body carried by. Gold Diggers of Broadway (Warner). Avery Hopwood's comedy about a rich man who tried to save his heir from a chorus girl is the framework of an indifferent screen musical show. As a technical accomplishment, Gold Diggers of Broadway has virtues: it is well-dressed, ambitious, brightly colored, energetic; it has some passable...
...Paris for a divorce. There she conveniently meets the diplomat. The picture has all the proper- ties of its predecessor, but lacks the popular sentimentality. Worst shot: Rod La Rocque as the diplomat in a golf sweater which might better have been used to flag an airplane. The Hottentot (Warner Vitaphone). The Hottentot is a terrifying racing steed. He belongs to a horsey Eastern family, needs a rider in the coming steeplechase. From California comes Edward Everett Horton to visit. He loves the daughter of the house, Patsy Ruth Miller, who can love only horsey men. Timid, sedentary, Horton...
Quite accustomed to applying his able talents as an actor to such inane material as this, Henry Byron Warner has made a lot of money in talking pictures because he once went to an English public school. It was not one of the most aristocratic schools, but Henry Byron Warner fitted there all right; his father, Charles Warner, was an actor before him. After finishing with school and with the University College in London, Warner spoke and dressed as though he had been to Eton and Oxford. In the growing success of his early days on the stage, he wore...
...apparent connection with the story by Katherine Brush from which it is supposed to be taken. To make it long enough for a feature, Director Robert Florey photographed and recorded an audience ceaselessly clapping hands. Worst sound: the henlike cackling of women in the lavabo. The Gamblers (Warner). This picture is a ponderous leer at Wall Street corruption. It has that annoying air of knowingness peculiar to bad parlor realism. In extraordinarily ornate offices, ballrooms, conservatories, H. B. Warner, Lois Wilson and Jason Robards argue and glare and pull each other around. The triangle includes a banker...