Word: warner
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Dates: during 1940-1949
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...Story of Seabiscuit (Warner) offers impeccable Technicolored performances by several horses, and some old newsreel clips of the real Seabiscuit's most spectacular races. Also rans: Barry Fitzgerald as the horse's jabbering trainer, and Shirley Temple, insufficiently disguised by a brogue. Loaded with the bipeds' lame Irish humor and a desultory romance, the picture carries a top handicap which it never overcomes...
Always Leave Them Laughing (Warner) is a schmalzy backstage film that has been knowingly tailored to Milton Berle's measure. Previous movies in which TV's favorite entertainer has appeared not only robbed him of his special brand of comedy but left most of Berle on the cutting-room floor. This attractively bedraggled production allows the Berle style full rein, for better or worse. As a result, Berle comes through as a powerfully unkempt personality-the prototype of the life-of-every-party...
...unsuccessful playwright on Broadway, he joined Warner Brothers as a scripter in 1936, piled up plenty of screen credits (They Won't Forget, Dust Be My Destiny, Edge of Darkness) but not much satisfaction. In 1946 he branched out as a writer-director (Johnny 0'Clock), then tried just directing (Body and Soul). Next, having set up Robert Rossen Productions through a financing-distributing deal with Columbia, he became a producer (The Undercover Man). His latest film is his first crack at writing, producing and directing all at once...
...Network has hired a Washington lawyer, Harry Warner, to handle its case...
...letter to Doane three days ago, Warner reported that "the big hurdle is to convince the Commission that college radio should be continued and that it serves a useful public purpose...