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...that format. Clash opens Friday on about 1,500 3-D screens and 2,000 2-Ds. Industry analyst Jeff Bock of Exhibitor Relations says Clash might have been expected to earn about $100 million this weekend - if it had secured all the 3-D screens it needed, which Warner Bros. could have done if it had released the film in mid-April, when Alice and Dragon would have run their course, and before the first expected smash of the summer season, Iron Man 2. But Warner decided on Easter weekend, and the swamis are now predicting a take...

Author: /time Magazine | Title: The 3-D Pileup: Too Many Movies, Not Enough Screens | 4/2/2010 | See Source »

...movie franchises (Step Up 3D, Piranha 3-D, Jackass 3D and Saw VII); one is another concert film (Kenny Chesney: Summer in 3D.) Two Disney films, Alice in Wonderland and Tron Legacy, are a mix of live action and digital fantasy. That leaves just two live-action movies - the Warner Bros. adventures Clash of the Titans and Harry Potter and the Deathly Hallows: Part I - that might have been released in the traditional format but are instead going out in 3-D. There looks to be no congestion of screens for the rest of the year as there is this...

Author: /time Magazine | Title: The 3-D Pileup: Too Many Movies, Not Enough Screens | 4/2/2010 | See Source »

...Warner Bros. has announced that all its epics and big action films - the final Harry Potter episode, the next Batman - will be made, or at least released, in 3-D. Sony's decision to go with a new creative team for the next Spider-Man sequel is said to be related to the studio's wish to have the Marvel hero do his cavorting in 3-D. Spielberg is in postproduction on his 3-D Tintin movie. Will other moguls dare make the next film in the Transformers or James Bond franchise in a flat-screen version? It's more...

Author: /time Magazine | Title: The 3-D Pileup: Too Many Movies, Not Enough Screens | 4/2/2010 | See Source »

...example of that tension, Frodon cited the assassination of a Jewish Warner Bros. representative in Berlin by the Nazis as early as 1934. “Of course,” he added, “Hollywood also had to consider commercial concerns,” given that many Americans had conflicted views of the war. “None Shall Escape,” for example, did well at the box office but was far from a breakaway...

Author: By Adam T. Horn, CONTRIBUTING WRITER | Title: WWII Film Offers POV on Holocaust | 3/30/2010 | See Source »

...premise of Hanks as history maker seemed reasonable until I flipped the page and found a two-page ad for The Pacific, the miniseries from Time Warner's HBO. TIME's objective news judgment has been seriously compromised by an act of such corporate self-promotion...

Author: /time Magazine | Title: Inbox | 3/29/2010 | See Source »

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