Word: warnercolored
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Dates: during 1954-1954
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Dial M for Murder (Warner) started out in 1952 as a British television drama, moved on to long, successful runs on the London stage and Broadway, and has now been made into a first-rate movie. Director Alfred Hitchcock, by shooting the film in three-dimensional WarnerColor, avoids the static quality common to many stage plays when transferred to the screen. The 3-D is used not so much for its shock value as to bring alive for moviegoers much of the theater's intimacy and depth of movement...
Lucky Me (Warner) is what is left of the little old Cinderella story when WarnerColor. CinemaScope, stereophonic sound, three scriptwriters, two songsmiths and $2,000,000 are through with...
...many an Indian biting the dust. The action is somewhat confused in this one by a chicken-pox epidemic that serves little purpose except to permit the audience and the hero (Guy Madison) to peek down the blouse of the heroine (Joan Weldon) while she is being vaccinated. The WarnerColor is pretty, too, and in stereophonic sound, the arrows seem to zip alarmingly right past the moviegoer's ear and plunge into the screen...