Word: warred
(lookup in dictionary)
(lookup stats)
Dates: during 2000-2009
Sort By: most recent first
(reverse)
Through the use of intense live-action shots along with extensive yet tasteful use of CGI, Woo successfully captures the enormity of the war scenes as well as the immediacy of one-on-one combat and melee face-offs. The sheer vastness of Woo’s Chinese navy and army—with tens of thousands of ships extending past the horizon—encourages a dizzying suspension of reality. Whether witnessing enemy horses blinded by mirror-shields, naval ships destroyed by suicide fireboats, or diseased, dead soldiers floated across to the enemy’s shore to infect...
...pride an important series of events in his country’s history, one unfamiliar to most Western audiences. In a dramatic departure from both his early mob movies and his American action hits, Woo’s “Red Cliff” serves as an entertaining war film set within a stirring and resonant celebration of Chinese culture...
Alexander’s inspiration seems to be culled as much from the natural beauty of Sri Lanka as the sufferings of its people, who have endured 26 years of civil war. As an African American writer in the tradition of Frantz Fanon and Aimé Césaire, Alexander sometimes goes astray in his characterization of the post-colonial experience, misguidedly evoking a universalized disposition in Africa as in South Asia. He transposes this affinity onto his narrator, who makes the reverse gesture: “I am Mahayana & of Africa / both Sri Lankan & non-Sri Lankan...
...sailor is “a wanderer in a zone of fluctuating kelvins,” he has “been reported as expired at Jaffna,” the largest city in Sri Lanka’s predominantly Tamil north-east and the epicenter of its civil war, and “burned in effigy for interminable wanderings.” Alexander knows well enough that it would be near-impossible to write affectingly of Sri Lanka without acknowledging its civil war. Too often, however, this is done in a token and evasive fashion. When the narrator says...
...dialogue of veterans; he will often project video of the veterans speaking, while broadcasting their words. His most recent work, created for and shown at the Institute of Contemporary Art (ICA) in Boston, is smaller in scale, but does not depart from the frank manner in which he addresses war. Wodiczko attempts to make his audiences understand the nature of war by inundating them with emotionally charged visual and auditory material. He comes tantalizingly close by plastering safe and static public buildings with the frightening chaos of a foreign war, but his aggressive approach overwhelms the substance of his pieces...