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Word: warren (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

Twentieth Century-Fox boasts that its Lew Pollack (Charmaine, Two Cigarets in the Dark) can produce a song on any subject if he is given an hour's notice. But Warners' boast is bigger. Musical cinemas seemed doomed until Harry Warren and Al Dubin turned out the tunes for Forty-Second Street, went on to do Footlight Parade, Gold Diggers of 1933, Wonder Bar, Twenty Million Sweethearts. Fortnight ago their Lullaby of Broadway (Gold Diggers of 1935) was voted the best song of the year by the Academy of Motion Picture Arts and Sciences (TIME, March...

Author: /time Magazine | Title: Music: Millworkers | 3/23/1936 | See Source »

...cinema dealing with songwriters might well take Warren & Dubin for two type characters. Composer Warren is nearsighted and thin, suffers from nervous indigestion, a relic of the days of silent pictures when he played the piano in the old Vitagraph studios, attempted to provide an atmosphere that would inspire the actors...

Author: /time Magazine | Title: Music: Millworkers | 3/23/1936 | See Source »

...chairman: W. Scott Long of Warren, Ohio; Circulation Manager: Charles L. Burwell of Millwood, Virginia; Advertising Manager: Henry W. Riecken, Jr. of Brooklyn, New York...

Author: NO WRITER ATTRIBUTED | Title: ELECTIONS TO RED BOOK ANNOUNCED BY ANDREWS | 3/17/1936 | See Source »

...conclusion of a summer's romantic misbehavior on the Bay of Naples, Belinda Warren (Miss Laye) has returned to the dank residence of her frosty aunt. The inescapable laws of biology soon com plicate Belinda's problem. She is to have a baby. Unhappily, the baby's illegitimate father is already married to a childless invalid. The baby's illegitimate grandfather rationally proposes that the little newcomer be smuggled into his son's home, passed off as his son's legal heir...

Author: /time Magazine | Title: Theatre: New Play in Manhattan: Mar. 16, 1936 | 3/16/1936 | See Source »

When a British heroine of Belinda Warren's type gets into trouble, she usually has, the choice of being sent either to Paris or New York. Belinda goes to New York. There she meets and is married to one of those rich, handsome but not altogether idle lawyers (this one is John Litel) who are so handy to dramas like Sweet Aloes. But Belinda is still miserable. She longs for her baby. She tortures herself with sweet memories of the Bay of Naples and bitter forebodings about her child's wellbeing. At this point an old family friend...

Author: /time Magazine | Title: Theatre: New Play in Manhattan: Mar. 16, 1936 | 3/16/1936 | See Source »

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