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...what happened that day. He goes on to speculate as to the events as they might have happened with more than one shooter. So I'm giving you a detailed outlaw history or counter-myth. A myth represents the true inner spiritual meaning of an event. I think the Warren Commission was a myth, and I think this movie, hopefully, if it's accepted by the public, will at least move people away from the Warren Commission and consider the possibility that there was a coup d'etat that removed President Kennedy...

Author: /time Magazine | Title: Plunging into The Labyrinth | 12/23/1991 | See Source »

...Totally. I dispute the "objective" version of events in Dealey Plaza as stated by the Warren Commission. The entire Warren Commission Report, 26 volumes, is a rat's nest of conflicting facts, and that's been pointed out not just by me but by many critics before...

Author: /time Magazine | Title: Plunging into The Labyrinth | 12/23/1991 | See Source »

...angry little scruples like welts in the conscience. Wouldn't it be absurd if a generation of younger Americans, with no memory of 1963, were to form their ideas about John Kennedy's assassination from Oliver Stone's report of it? But worse things have happened -- including, perhaps, the Warren Commission report...

Author: /time Magazine | Title: When Artists Distort History | 12/23/1991 | See Source »

Stone's movie and the Warren report are interestingly symmetrical: the Warren Commission was stolidly, one might say pathologically, unsuspicious, while in every scene of the Stone film conspiracy theories writhe underfoot like snakes. In a strange way, the two reports balance one another out. It may be ridiculous to accord Stone's movie a status coequal with the Warren report. On the other hand, the Warren report has endured through the years as a monolith of obscure suppression, a smooth tomb of denial. Stone's movie, for all its wild gesticulations, at least refreshes the memory and gets...

Author: /time Magazine | Title: When Artists Distort History | 12/23/1991 | See Source »

...fecklessness of the Warren report somehow makes one less indignant about Stone's methods and the 500 kitchen sinks that he has heaved into his story. His technique is admirable as storytelling and now and then preposterous as historical inquiry. But why should the American people expect a moviemaker to assume responsibility for producing the last word on the Kennedy assassination when the government, historians and news media have all pursued the subject so imperfectly...

Author: /time Magazine | Title: When Artists Distort History | 12/23/1991 | See Source »

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