Word: warring
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...blatant parallel with Cold War-era McCarthyism—which manifests itself through the growing paranoia of the aliens as they search for Chuck and accuse their fellow townspeople of being his zombie followers—is clever and original in a movie made for children. But most of the references will be lost on the film’s younger audiences, and reminders of the film’s political subtext—the aliens’ collection of UFO artifacts includes none other than the Sputnik satellite, complete with “USSR” imprinted in Russian?...
...otherwise.” He starts in Turkey: siblings Desdemona and Lefty flee that country’s conflict with Greece to start anew in America as husband and wife. In Detroit, cousins Milton and Tessie fall in love and become engaged amidst the turmoil of the Second World War. Calliope, their daughter—born and raised as a girl—learns of her Y chromosome after a tractor accident brings her to a hospital. In a moment of radical loss of identity, she flees her home and moves to San Francisco. Struggling to escape the vestiges...
Throughout his tale, Cal recounts a century of American history—Ellis Island, the Great Depression, the River Rouge Ford plant, Vietnam, Detroit race riots, the desegregation of schools, Watergate, the Cold War, and the oil embargoes. In doing so, Eugenides questions what it means to be American—citizenship, attitude, and history. Despite being third generation American and despite her family having climbed the class ladder—at least achieving the financial aspect of the American Dream—Calliope feels out of place in her private preparatory all-girls school...
...Battle Studies,” Mayer no longer sports the sheepish grin and earnest tone that brought humor to otherwise disheartening songs like the 2001 hit “Why Georgia.” On “War of My Life,” he mourns, “I’m in the war of my life / I’m at the core of my life / Got no choice but to fight till it’s done.” With his new set, Mayer digs deeper into his own soul to expose...
...Army, they are tasked with the brutal responsibility of informing the next-of-kin of a soldier’s death. In the vein of other recent films like “Stop-Loss,” “The Messenger” is a war movie without combat, a military film focused more on the home front than the frontline. But Moverman’s film moves beyond politics, functioning as a tender meditation on loss rather than a forced lesson about the evils of war...