Word: wars
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...selected film was André de Toth’s “None Shall Escape” (1944), one of a small number of World War II-era Hollywood films that represented the extermination of European Jews then underway. The screening was preceded and followed by discussions with Jean-Michel Frodon, former managing editor of the seminal French film magazine, Cahiers du cin?...
...Cinema & the Shoah,” an exploration of cinematic responses to the Holocaust. A complicated relationship between Hollywood and the Nazi Party, he explained, kept American cinema—despite its many Jewish industry leaders—from representing the Nazis negatively until nearly the end of the war...
...assassination of a Jewish Warner Bros. representative in Berlin by the Nazis as early as 1934. “Of course,” he added, “Hollywood also had to consider commercial concerns,” given that many Americans had conflicted views of the war. “None Shall Escape,” for example, did well at the box office but was far from a breakaway...
However, the film clearly had aspirations beyond the financial. Released just as the war was ending, it also functioned as a piece of propaganda: “None Shall Escape” opens and closes with the presiding judge of a war crimes trial directly addressing the audience, asking that justice be done in light of the trial...
...film’s narrative runs through the testimony of the trial’s witnesses, who tell the story of corrupted German Willhelm Grimm. Grimm’s progression from wounded World War I veteran to odious SS leader must have given its viewers a more nuanced, but ultimately condemning image of the typical Nazi...