Word: watchings
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Dates: during 1960-1969
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...kind of watch them and get the rebounds," Cavanagh says, but he too has a sharp, accurate shot capable of beating any goalie...
...anything more than a shell of a character from his actor. We get waving hands for nervousness; pained looks for sorrow, moody line readings for introspection. With no central character around, we must work too hard to find out what Horovitz is talking about. Finally we give up and watch the proceedings as we would a Sid Caesar sketch. While some of the laughs are there, the play...
...dominates the play from the beginning, even when he has no lines and merely stands by the bus stop, shivering and listening to the strange histrionics around him. When the hoods attack him, the abject terror transmitted through his eyes make him an image of helplessness almost unbearable to watch. The climax--he is left on the sidewalk, a bleeding dog barking the few words of English he can say yet does not understand ("HOW ARE YOU? YOU'RE WELCOME! THANK YOU!")--absolutely tore me apart. If only everything else in this production hadn't tore Horovitz apart, these Quincy...
...Watch that intonation-and stand up straight. When Galamian thinks a student is a potential concert performer (rather than, say, an orchestral player or teacher), he works on much more than just his playing. He advises him when to appear publicly, what to wear, how to carry himself. He corrected Young Uck Kim's habit of hitching up his trousers while onstage. He was tough on prankish Arnold Steinhardt, to give him discipline; with shy Kyung-Wha Chung, a co-winner of the 1967 Leventritt Award, he was kindly and patient, to give her confidence. Galamian constantly worries that...
Censorship is so repugnant to most moviemakers they would rather have Mondo Freudo shown in a kindergarten than let a censor bowdlerize Ulysses. On the other hand, many parents would sooner burn a theater than let their children watch the crudity visible in all too many "adult films...