Search Details

Word: watercolor (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...late George Gershwin was represented by his self-portrait posed before his easel in top hat, white tie and tails. Nathan Milstein, top-rank violinist, revealed himself as a minor master in watercolor. Rumbologist Xavier Cugat sketched himself standing before invisible bongo drums...

Author: /time Magazine | Title: Art: Musicians Are Hung | 12/7/1942 | See Source »

...Woolf. Her brother-in-law was Art Critic Clive Bell. She educated herself in her father's vanguard-Victorian library, honed her fine wits against the most delicately abrasive minds in Edwardian and Georgian London. Her first novels, The Voyage Out and Night And Day, were a blotted watercolor of social comedy in Jane Austen's manner and her own brand of lyrical metaphysics. In uneasy, brilliant experiments, in critical essays putting such writers as Joyce and Arnold Bennett in their proper places, Virginia Woolf began to find...

Author: /time Magazine | Title: Books: Notes on Virginia Woolf | 8/17/1942 | See Source »

Although his work is not as fully represented, the two pieces by Howard Turner '41 are sufficient to place him in the first rank of the exhibitors. His watercolor view over Boston housetops captures all the warmth and richness of Beacon Hill brick against the late afternoon sky. Carl Pickhardt '31 has four lithographs in the show, all very simply and very powerfully executed, especially the "Pieta" and the "Christ at Emmaus," with its Grecolike faces, and minimum of light areas. His work suggests the influence of stained-glass window design, with heavy lines blocking off areas of black...

Author: By A. Y., | Title: COLLECTIONS & CRITIQUES | 4/7/1942 | See Source »

...watercolor Chicago bought this week, was comparatively mild, for an Albright: a clutter of old bottles, dead fish, seaweed and barnacle-encrusted driftwood on a table overlooking a harbor...

Author: /time Magazine | Title: Art: Lavender & Old Bottles | 11/24/1941 | See Source »

Gouaches, requiring neither the heavy weight slugging of oil paintings nor the flyweight speed of watercolor, are the middleweights of painting, command a smaller price (usually from $50 to $150) but put on a fine show for the money. Unlike oil paint, gouache* (a combination of opaque colors ground in water and a preparation of gum arabic) is mixed with water in painting, is fast-drying, cheap and simple to use. Gouache painters need neither easels, oil, turpentine nor expensive canvas, can paint conveniently on anything from paper to wallboard. Unlike watercolor, where the texture of the paper shows through...

Author: /time Magazine | Title: Art: Gouaches in Bloomington | 11/17/1941 | See Source »

Previous | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | Next