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Capable of the greatest excitement over either business or fun, tall (6 ft.), heavily handsome President Paley has run through watercolor painting, oil painting, motorboating, airplanes, photography in rapid succession. He rushes at business with the same enthusiasm, somewhat deceptively because the impetuosity breaks down into shrewd caution whenever necessary. When anything important is at stake he chooses his words with astute grace, but he prefers the free extravagance of mixed metaphors. A favorite phrase: "Not a red dime." Youngest and oldest chief executive in the network business, he has come a long way from cigars. He now smokes cigarets...

Author: /time Magazine | Title: Radio: Money for Minutes | 9/19/1938 | See Source »

...Painting with watercolor paints on wet plaster...

Author: /time Magazine | Title: Art: Publicized Murals | 6/13/1938 | See Source »

...their last exhibition of the college year, the Germanic Museum has chosen a group of documentary watercolor sketches of an Arizona mining town and of the San Francisco waterfront by Lewis W. Rubenstein. Rubenstein is no stranger to the Germanic for two other exhibitions of his works have been on view there and the large murals in the foyer of the Museum were executed...

Author: NO WRITER ATTRIBUTED | Title: Collections & Critiques | 5/10/1938 | See Source »

...Molina Campos never had a drawing lesson and he swears he couldn't draw a straight line if his life depended on it. In a style which fairly often succeeds in being comic, epic and pastoral at the same time, he has done more than 600 tempera and watercolor drawings of Gaucho life on the pampas of Argentina as he remembers it from his own childhood. So crammed with vitality are his buck-toothed cowboys and hammer-headed broncos, thrown into relief by strong, earthy tempera colors, that Pio Collivadino, onetime director of the National School of Decorative Arts...

Author: /time Magazine | Title: Art: Gaucho Artist | 5/2/1938 | See Source »

...family. Artist Demuth studied at the Pennsylvania Academy of the Fine Arts and for several years in Paris, was affected by Cezanne, the draftsmanship of Toulouse-Lautrec and later by the color experiments of the cubists. For his own pleasure, not for publication, he did a series of watercolor illustrations, notably six for Zola s Nana, four for Henry James's Turn of the Screw, which Critic Henry McBride of the New York Sun considered ''among the most memorable drawings to have been produced anywhere in this modern period." His experiments with cubist designs in architectural subjects...

Author: /time Magazine | Title: Art: Painters | 1/10/1938 | See Source »

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