Search Details

Word: watered (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...said that she could be located in a wooded area some 20 miles north east of Atlanta. The kidnapers had hidden her well. Barbara Jans had been placed in a coffinlike box which had then been buried under 18 inches of earth. Her tomb had been equipped with food, water, two flexible vent tubes which protruded above ground, a fan, and a small light which failed some hours before she was found. She had spent an estimated 80 hours underground. Still wearing the red-and-white nightgown that she had on when she was abducted, Barbara Jane was nevertheless reported...

Author: /time Magazine | Title: Crime: The Girl in the Box | 12/27/1968 | See Source »

Roadblock. He will also have to face considerable opposition to new programs to improve transportation and eliminate water and air pollution...

Author: /time Magazine | Title: New York: Rocky's Crisis | 12/20/1968 | See Source »

...place, and he uses the azure skies and limpid Mediterranean to give the story the cast of eternity and overtones of legend-in-the-making. In the final hallucinatory segment, he makes the screen a place of brilliant anguish, when time present and time past mix like ouzo and water until neither is what...

Author: /time Magazine | Title: New Movies: Orpheus Now | 12/20/1968 | See Source »

Nolan's cover is an overture for the book. Its color is old-moss green, the green of stale water. The page is divided by an unbroken sea-horizon. Running the edge of the even ocean is the boat of the poems -- "our soul...a three master seeking port." An old-fashioned wire grave fence spans the dark sky. Behind the fence hover five "characters" -- anonymous creatures. They are placed like a line-up of black sheep to carry us into the dream-vision of the book. We see them again and again -- hermetic figures, alone, hungry, against the austere...

Author: By Robin VON Breton, | Title: The Voyage | 12/20/1968 | See Source »

Nolan's choice of colors -- muddy and wine-toned greens, blues, reds and yellows -- is effective. One fascinating monochrome is of a red hissing swan coiled in a white bankrupt-of-shade-or-blue-sky -- "Its heart was full of its blue lakes, and screamed: 'Water, when will you fall?'" The color illustrations are more specific and representational than the black and white -- and less effective. They are less of dream, less inventive, less demanding of imagination...

Author: By Robin VON Breton, | Title: The Voyage | 12/20/1968 | See Source »

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