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...smoke-filled cellar cafés and cold-water flats of San Francisco's waterfront and Manhattan's Greenwich Village, the word these days is "beat." Patriarch and prophet of what he calls "the beat generation" is a 35-year-old writer named Jack Kerouac, whose recent novel On the Road (TIME, Sept. 16) chronicled the cross-country adventures in cars, bars and beds of a bunch of fancy-talking young bums. Last week, in newspaper interviews with TV's Mike Wallace, Novelist Kerouac and equally beat Poet Philip Lamantia explained that beatness is really a religious...

Author: /time Magazine | Title: Religion: Beat Mystics | 2/3/1958 | See Source »

Marriage Revealed. Sam Spiegel, 55, Austrian-born Hollywood producer (The Bridge on the River Kwai, On the Waterfront); and Betty Benson, 27, onetime model; he for the third time, she for the first; on Nov. 26, in Manhattan...

Author: /time Magazine | Title: Milestones, Dec. 30, 1957 | 12/30/1957 | See Source »

...jazz was worse, but nobody seemed to care. Record business was being done by dim little jazz spots such as the Sail'N and the Black Hawk-the Taj Mahal of West Coast jazz, where Dave Brubeck blew himself to fame. And at the Tin Angel, on the waterfront, Trumpeter Dick Mills and his combo were playing with the man who started the poetry-and-jazz trend, Poet Kenneth Rexroth. decked out in red shirt, olive green corduroy suit and black string tie. "Lord! Lord! Lord!" cried Rexroth happily. "Look how it packs them...

Author: /time Magazine | Title: Music: The Cool, Cool Bards | 12/2/1957 | See Source »

Slaughter on Tenth Avenue (Universal) is the sort of stevedore special Hollywood has been serving up ever since On the Waterfront, when the moviemakers discovered that the public likes a pier with a yegg...

Author: /time Magazine | Title: Cinema: The New Pictures, Dec. 2, 1957 | 12/2/1957 | See Source »

...story this time is lifted from the book, The Man Who Rocked the Boat, in which William Keating described his adventures on the waterfront as a racket-busting assistant to Manhattan's district attorney. An honest pier boss (Mickey Shaughnessy), who refuses to holler uncle when the musclemen apply the pressure, is burned with half a dozen garlic-smeared slugs, and Keating (Richard Egan) is assigned to make the case against the goons who got him. He gets nowhere fast. The longshoremen, as usual, are afraid to talk. The victim himself refuses to "rat." The affable union boss (Walter...

Author: /time Magazine | Title: Cinema: The New Pictures, Dec. 2, 1957 | 12/2/1957 | See Source »

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