Word: waterfront
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...Republic, Brooklyn's irrepressible Irishmen set the tone for a generation of immigrants by cheering on the show. It was a time when Irish-Americans were only slightly more respectable than grave robbers, but no one seemed to care: more green-and-gold Irish Republican flags draped the Brooklyn waterfront, and news of the Easter Rebellion even eclipsed the Dodgers' daily dispatches from Ebbets Field. All around the country Irish communities staged a week-long ethnic festival to celebrate the lost glory they hoped their homeland was about to regain. And when the British army's decidedly unromantic artillery turned...
...well-bred but confidently self-righteous priests and nuns who people it. But still, Corry recognizes that he can't speak ill of his subjects, for the cozy world of Irish-American society they abandoned has slowly ceased to exist. The green flags no longer dot the Brooklyn waterfront; Italians and Poles live there now, and the children of those proud Irish immigrants have long since moved away to a place where everyone is just American. "Irish America" is dead, and Corry knows it; so rather than trying to resurrect the victim he is content to hold a nice Irish...
...when trying to impart lessons, what a poseur Ensor was! Every Christ he painted is trivialized by his narcissistic equation of the suffering God and the rejected artist. It is customary, at least in Belgium, to see Ensor as a man of the people. But Ensor's waterfront lumpenproletariat look just as subhuman as his judges and police officers. As a political artist, he was both strident and unfocused. The Good Judges, 1891, is a curdled parody of Daumier, without the master's swift economy of feeling. It is impossible to tell what Ensor thought about politics, except...
...Voyage is becalmed for long periods. Happily, the same does not hold true for the four-masted bark Neptune's Car. The steel-hulled vessel beats around the Horn with a cargo of smoldering coal. Its crew, as was customary, is a forecastle full of alcoholics, shanghaied by waterfront "crimps." Kidnaping of able-bodied seamen was a routine necessity, Hayden reports: wages were $1 a day and the hard-driving officers were licensed bullies who regularly committed mayhem and murder...
...feelings. There is really no place for poor Rocky to go but up-if only because an entire film devoted to so dreary a fellow would be intolerable. Almost immediately it is clear that this is another trip up the trail immortally, definitively explored by Brando in On the Waterfront over two decades ago: the coming to consciousness of a rough, untutored but naturally noble fellow...