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Word: waterloo (lookup in dictionary) (lookup stats)
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...settle down in France, and sent emissaries to shop around for suitable villas. What shocked staid Mougins (pop. 7,000) was the five-member rock group's request for Roman orgy-size baths that would accommodate six or eight at a time. The progressive, Rene Avelli met his Waterloo when he declared that Mick Jagger & Co. were welcome. After all, Mougins is already home to Pablo Picasso, and even though the artist lives rather quietly in a remote outskirt, how much notoriety can one town endure? The Stones were last reported seeking out the warmer climate of St.-Tropez...

Author: /time Magazine | Title: FRANCE: Park-a-Pilgrim? Non! Rolling Stones? Non! | 4/5/1971 | See Source »

Described as "innerspace fiction," the book treats the stay in a psychiatric hospital of Charles Watkins, 50, a classics professor, who was picked up rambling and confused near London's Waterloo Bridge at midnight, under the impression that he had survived an odyssey as bizarre as anything out of Homer. Watkins fights to remember his visions, which involve legendary yellow beasts as well as the great white bird, and a bloody, obscene war between a species of monkeys and "rat-dogs." Doctors X and Y try to make him remember his wife, his family, his name and occupation-what...

Author: /time Magazine | Title: Books: The White Bird of Truth | 3/8/1971 | See Source »

There is an incident in Vanity Fair in which the genteel officers and ladies of England, on their way to fight the battle of Waterloo, pause to take in an Opera. We do not know or care what Opera it is. The audience cares only about the audience. The production is an excuse for an Opera, and Hello Dolly is an excuse for a musical. The experience is faintly amusing and excruciatingly boring. But we keep the appraisal secret for the producers say the real problem is money...

Author: By Laurence Bergreen, | Title: Theatre Losing the Charles | 11/3/1970 | See Source »

...despite the Charles' solid price range means his American audience is quite different. It's quite possible that his fatalism-in a song called "The Bulls," for example, he consoles those animals that weekly face two-bit matadors with the thought that men treat each other equally wretchedly, citing Waterloo, Verdun, Stalingrad, Hiroshima and Saigon as proof-strikes a richer chord in the European mind. It's also possible that once you know the whole body of his work, its individual parts behave quite differently...

Author: By Gregg J. Kilday, | Title: Cabarets Jacques Brel Is Alive, And, Well, He's Living in a Ballroom At the Somerset Hotel | 10/24/1970 | See Source »

...gradual disenchantment) toward directors, ending with a disparaging comment about Mervyn Le Roy. I am sure Kaufman did not intend to be unkind or unfair, but it is hard to accept such disparagement of a man whose credits include I Am a Fugitive From a Chain Gang, Random Harvest, Waterloo Bridge and the production of Wizard of Oz-and whose finest credit is that he is one of the gentlest, most civilized human beings around...

Author: /time Magazine | Title: Letters: Sep. 28, 1970 | 9/28/1970 | See Source »

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