Word: waterloos
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...subways which had been damaged or which lay near unexploded time bombs. Post offices shut down during raids. Let ters took three days to get across London, five to reach the country; and telegrams were almost as bad. Long-distance tele phoning was practically impossible. Euston, Victoria and Waterloo railway sta tions were badly damaged; the Victoria train shed, a massive thing of girder and glass, was crushed across tracks...
...they did in Brussels before Waterloo, British officers danced late in London last week. In Berlin there was no dancing. Dancing is forbidden in Germany as a frivolity out of keeping with war. In Britain they danced to show their nerve-and because they could not sleep. Berliners looked at the wreckage of their homes, remembered that they had been told their city was impregnable, said nothing. Londoners shook their fists at the sky. As sirens wailed and fires burned, as the war of mutual destruction gained fury, stolid Germans and the scarcely more volatile British alike wondered if this...
...Spain whom Pétain had once taught the art of war, Adolf Hitler's reply was: drop your arms or be killed. He sent for Benito Mussolini to meet him in Munich to discuss matters on June 18 (125th anniversary of Napoleon's downfall at Waterloo). Surrender, not with honor but unconditional, was reported to be the German's ultimatum to France. Meantime, the war "for which France asked" would continue...
...Waterloo Bridge (Metro-Goldwyn-Mayer) is a drastic reworking of Robert Sherwood's doleful drama about a love episode in Blighty during World War I-keyed up to catch the overtones of World War II, and toned down to meet the objections of censors. Waterloo Bridge is no longer a tale of a shy Canadian soldier who falls in love with a shy London trull. It is the story of a good-looking, upper-class British officer (Robert Taylor) who, during an air raid, conceives an undying passion for a good-looking ballerina (Vivien Leigh). After causing...
...Waterloo Bridge has its points. Expensively produced, it successfully continues Metro-Goldwyn-Mayer's intensive he-manizing of Robert Taylor. Booted, trench-coated and sporting a dark, hairline mustache (the inspiration of Director Mervyn LeRoy), Cinemactor Taylor is a dashing officer. His continual kissing of Cinemactress Leigh may become a little tiresome to nonparticipants. But one kiss, after which the camera highlights and hangs suspended upon the languid Taylor lips, should go a long way toward rehabilitating Cinemactor Taylon with his fickle feminine fans and re-establishing him as a valuable studio property...