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...Waterston is the most maladroit Hamlet to appear on a professional stage in the past decade. He bears not the remotest resemblance to a prince. He is like a little boy throwing a nightlong temper tantrum. His twitchy gestures suggest those of a puppet on the strings of a drunken puppeteer. His voice is woefully devoid of resonance. He delivers the Shakespearean line like a squawk box in dire need of a lozenge. Add to this little humor and less thought, and Hamlet the Dane becomes Hamlet the Cipher...

Author: /time Magazine | Title: The Theater: The Dane as Cipher | 7/14/1975 | See Source »

...anti-heroes are a kid on the run from middle-class respectability (Jeff Bridges) and his faithful half-breed companion (Sam Waterston), who seems, in his inarticulate way, to aspire to the free life enjoyed by his Indian ancestors. They begin the film as prankish, thoughtless one-cow-at-a-time rustlers. They end it in Rancho Deluxe-a prison camp-after they fail to pull off a major cattle heist. Their nemesis is the biggest, most blustering rancher in Montana (Clifton James); his name is Brown. Their undoing is an ancient range detective (Slim Pickens) who is smart enough...

Author: /time Magazine | Title: Cinema: Brown and Beige | 6/9/1975 | See Source »

...sensitive a translating job as The Day of the Locust has done, it might have been at least a decent, if not well-liked, movie, it closes in on all the wrong things, and gets at nothing that Fitzgerald did. Only one performance really works and that is Sam Waterston's sensitive and physically correct Nick. He, not Redford, is "better than the whole damn bunch of them...

Author: NO WRITER ATTRIBUTED | Title: THE SCREEN | 5/15/1975 | See Source »

...imagery of the play literally, she skitters about the stage like a sandpiper. This does not destroy Nora's coquettishness, but it certainly diminishes it. There seems to be an arbitrary rhetoric of motions with which Ullmann plays the role. When she fears that her husband Torvald (Sam Waterston) will discover her secret dealings with the malignant moneylender Krogstadt (Barton Heyman), she makes the panicky gestures of a heroine in a silent-movie melodrama. When she reads the riot act to Torvald prior to slamming the famous door, she sits as motionless as a pillar of ice. Presumably, this...

Author: /time Magazine | Title: The Theater: A Doll's Hearse | 3/17/1975 | See Source »

...supporting cast cannot save A Doll's House if the Nora buckles. Still, this cast might be sued for nonsupport. With no trace of a guiding hand from Norwegian Director Tormod Skagestad, the players appear to be introducing themselves to each other at first rehearsal. As Torvald, Waterston is a mildly ruffled porcupine who can be dequilled instantly by Ullmann. Petty or not, Torvald should be a visible tyrant. After all, Nora is not slamming the door at middle-level management, but at the historic tyranny of convention...

Author: /time Magazine | Title: The Theater: A Doll's Hearse | 3/17/1975 | See Source »

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