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Word: watteau (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Susanna) was a silvery voiced delight. The sets by Designer Oliver (Rashomon, House of Flowers) Messel were superbly elegant: a boudoir whose rose-colored silk panels and drapes glowed with a kind of faded splendor, a formal garden suffused with the feathery, misty charm of a landscape by Watteau...

Author: /time Magazine | Title: Music: Fight over Figaro | 11/9/1959 | See Source »

...President Eisenhower and Queen Elizabeth (who sent Signorelli's Hercules and Antaeus, and five other drawings from Windsor Castle), the show included 88 of the world's greatest. No one living could be sure which among them had the greatest claim to immortality. But the Altdorfer, Watteau and Goya drawings on the next four pages (all reproduced exactly full scale) would certainly be strong candidates...

Author: /time Magazine | Title: Art: GREAT DRAWINGS | 10/26/1959 | See Source »

...beauty and variety. Head in the lap of the treacherous Delilah, his Samson sleeps in the foreground of a landscape that is as weird and as familiar as a dream. Behind a bare tree in the background hover the Philistines, ready to pounce upon the sheared ram of God. Watteau's study of lovers in a park makes black, white and red stand for all the colors of the rainbow. In Watteau, love and laughter blend into one. To round the gallery corner to Goya's Two Prisoners in Irons can be like taking a header...

Author: /time Magazine | Title: Art: GREAT DRAWINGS | 10/26/1959 | See Source »

...interesting to note that the number of outraged letters you are receiving on abstract impressionist art is increasing. Why can't the general public recognize that we are never again going back to painting like Rembrandt, Vermeer and Rubens-or even to Watteau, Poussin and Renoir? I commend you heartily on your display of contemporary art, but let's tell your readers the startling fact that it is here to stay...

Author: /time Magazine | Title: Letters, Sep. 15, 1958 | 9/15/1958 | See Source »

Adapter William Nichols conceived of the TV version as fantasy-all a dream of Feste the clown-set in the rococo grandeur of an 18th century pleasure park. For scenery and costumes, Designer Rouben Ter-Arutunian borrowed brilliantly from the delicate woodland scenes of Watteau and Fragonard, gave the NBC color cameras an enchanting palette of shimmering pastels. Through a dream world as mannered as a minuet glided fauns, harlequins and unicorns, dwarf attendants and monkey footmen. Olivia (Frances Hyland) wooed the disguised Viola (radiantly played by Rosemary Harris) while floating in an elegant barge. When Malvolio (Maurice Evans) puffed...

Author: /time Magazine | Title: Television: Review | 12/30/1957 | See Source »

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