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...Congratulations to Boris Chaliapin for a thoroughly delightful cover picture of Foreign Minister Couve de Murville. It was gratifying to note that the Virginia Museum's Le Lorgneur by Jean-Antoine Watteau (see cut) was the basis for his background cartoon...

Author: /time Magazine | Title: Letters: Feb. 14, 1964 | 2/14/1964 | See Source »

Your readers may be interested to learn that the original model for the General de Gaulle figure was the 17th century actor, and friend of the artist, Philippe Poisson. Also, there was a fourth figure in the original, seated at lower left, but X rays show that Watteau apparently changed his mind and painted...

Author: /time Magazine | Title: Letters: Feb. 14, 1964 | 2/14/1964 | See Source »

Died. Georges Wildenstein, 71, dean of art dealers, a nicely balanced mixture of scholar and bookie with an encyclopedic knowledge of the masters and a computer-like memory (he once spotted an unidentified Watteau, got it for $30), who inherited the house of Wildenstein from his father Nathan in 1934, carried on the family tradition of spot cash for multimillion-dollar collections, blue-chip customers (from Manhattan's Metropolitan Museum to Stavros Niarchos) and controversy (he caused a national uproar in 1960 after he outbid the Louvre for a De La Tour, then exported it to the Met, making...

Author: /time Magazine | Title: Milestones: Jun. 21, 1963 | 6/21/1963 | See Source »

...France's painters, Antoine Watteau was Frederick's favorite, just as he had been the favorite in France at the time of the infant Louis XV. With the passing of the young Louis' autocratic father, a reaction had set in against everything grandiose and monumental; nothing could have appealed more to the nobility, so recently released from the blinding authority of the Sun King, than Watteau's languid and worry-free world of harlequins and sultry lovers and frolicking aristocrats. Watteau's shingle for the art dealer Gersaint was apparently done on whim...

Author: /time Magazine | Title: Art: The Prussian Francophile | 4/20/1962 | See Source »

Sybaritic Society. Watteau influenced most of the painters of his day, but none more than Nicolas Lancret. The pupil painted so much like the master that for a time people could scarcely tell their work apart. Though Lancret was never Watteau's equal, he mirrored the same pretty and fragile world that seemed to have nothing more on its mind than fun and leisure. In favoring mythology, the fashionable Jean François de Troy still kept the mood. His Leda could be any comely marquise languishing in her bath. Everything about the painting-its heavy lushness, its torpor...

Author: /time Magazine | Title: Art: The Prussian Francophile | 4/20/1962 | See Source »

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