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...five are represented here. The accomplishment of the sixteenth can be seen in aportrait by Francois Clouet, of the seventeenth in a wash drawing of landscape by Claude. The special character of the eighteenth, in attitude as in drawing is revealed in a series of red crayon studies by Watteau and Fragonard, Boucher and Greuze...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 2/4/1938 | See Source »

...Nearest 20th-century equivalent to the reveries of Watteau are the paintings of a gangling, red-haired feminine exquisite, now 52, who has lived and painted in Paris for 30 years. Last week the Findlay Galleries gave Marie Laurencin her first sola show in Manhattan in five years. A cadenced critique by Vanity Fair's onetime editor, Frank Crowninshield, defended from the charge of "boudoir art" Marie Laurencin's pale, obsessive ladies, "with those undefined pools of night which are their eyes, their magnolia-soft cheeks, their plumes of periwinkle blue and lips of fadeless rose...

Author: /time Magazine | Title: Art: Art Week | 11/15/1937 | See Source »

...Houdon's marble bust of Voltaire, lent by the Comedie Franchise. ¶Watteau's Jupiter and Antiopc, from the Louvre. ¶ Mme Vigee Lebrun's portrait of Marie Antoinette, lent by Edward J. Berwind. Every number in the list shone with that French gaiety which 20th Century Parisians have lost. Not even in the court portraits was there a trace of the stolid respectability of a Gainsborough or a Reynolds. In not one of the French masters was there a trace of the social responsibility of a Hogarth...

Author: /time Magazine | Title: Art: Grand Siecle | 11/18/1935 | See Source »

...manuscripts in particular are so valuable that, except at the New York Library, they have never been shown before. The twenty-eight books and many separate pages, rich with color and gold, some as old as the ninth century, contrast vividly with the twenty original drawings from Perugino to Watteau. Yet they combine together in presenting an unusual survey of the art of draughtsmanship...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 5/14/1935 | See Source »

...Florentines are the figures by Fillipino Lippi and Andrea del Sarto; of the Venetians, a boarded head by Carpaccio. Among the Germans are two Durers, and a follower of Holbein. The French are represented in their classic vein by the revered Claude and Poussin, in their elegance by Watteau and Fragonard...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 5/14/1935 | See Source »

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