Word: watteau
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...PASTORAL LANDSCAPE, National Gallery of Art and the Phillips Collection, Washington. In this joint venture, the National offers "The Legacy of Venice," two centuries of painting from Giorgione (a progenitor of the pastoral genre) to Watteau, while the Phillips, in "The Modern Vision," carries the theme from Constable down to Matisse. Through...
...months after that, discharged but still plagued by unassuageable fits of melancholy, he shot himself to death in the rural village of Auvers, just north of Paris. Van Gogh was 37 when he died -- at the same age, it has often been noted, as Raphael, Caravaggio and Watteau, and with an oeuvre no less brilliant than theirs...
...scene from Watteau or Boucher come to delicate, lilting life. An amorous pastoral allegory in three acts, or entrees, its dramatis personae include shepherds, sylvans and fauns. One of the greatest hits of the 18th century, Jean-Philippe Rameau's Les Fetes d'Hebe proclaims the potency of poetry, music and dance in the highly ornamented, graciously stylized cadences of the French baroque. But can such a gentle artifice still speak to the brutal and cynical 20th century...
...unknown for the face to fall off a Reynolds portrait if it was shaken. Obsessed with technique, he was said to have scraped patches off his own Titian and Rubens, and was known to have destroyed a Watteau, in search of the "secrets" of the old masters. But his own paintings cooked themselves down to blistered wrecks, sometimes within the lifetime of the sitters. An elderly Irish rake, the Earl of Drogheda, returned to his native land after 30 years abroad, with a shattered constitution. He found that his youthful portrait by Reynolds was even more poxed, corrupt and wrinkled...
...likeness breathed onto the paper with lyric, impalpable precision in three schematic chalks (white, black and sanguine), conveying the fullest sense of Rubens' appetite for character studies delicately balanced between intimacy and formality. Viewing such work, one realizes that there is no Rubens (or Durer, or Mantegna, or Watteau) of / the late 20th century; what we see here are emblems of a tradition that ended, except for footnotes, with Picasso...