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Word: wave (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...forms of entertainment have raised more eyebrows than French movies. Now the old spice is coming in a new flavor-frankly sexy, often amoral, but invariably hewed close to ugly, beautiful realities. See CINEMA, New Wave...

Author: /time Magazine | Title: A Letter From The Publisher, Nov. 16, 1959 | 11/16/1959 | See Source »

...late in the evening, Birrell's delight with life in Brazil was gone in a wave of man-without-a-country nostalgia, and his eyes were glistening. "I don't know what I'm a victim of," he said, "but I'm a victim all right...

Author: /time Magazine | Title: BRAZIL: The Gay Victim | 11/16/1959 | See Source »

...small grocers are fighting the supermarkets hard. France's Fédération des Syndicats de l'Epicerie complain that "thousands of small independents have been forced out of business. If the wave continues, another 10,000 will have to close down in the next two years." Germans complain of the "foreign menace" to their livelihood, while Italian shopkeepers lobby insistently to prevent local city governments from granting licenses to the new stores. But the trend is all to the supermarkets. When a big new market opened in Milan recently, the strong Communist element there attacked...

Author: /time Magazine | Title: BUSINESS ABROAD: La M | 11/16/1959 | See Source »

Black Orpheus (Dispatfilm-Gemma; Lopert) is perhaps the most impressive can of film so far cast up on U.S. shores by the New Wave (La Nouvelle Vague) of creation that has swept across the French movie industry. It is an amazing creation. The picture was made by Marcel Camus,* a 47-year-old assistant to some of France's top directors. In 1957 he found an adaptation of the Orpheus legend by a Brazilian poet and playwright named Vinicius de Moraes (TIME, Nov. 19, 1956), and for the hell of it he used the wildly poetic mountains around...

Author: /time Magazine | Title: Cinema: New Wave | 11/16/1959 | See Source »

...French call their juvenile delinquents), was made on the cheap by an oldtimer named Marcel Carne (Children of Paradise), and it became one of the biggest hits of 1958. It was followed by another low-cost smash called The Lovers, directed by Louis Malle, 27. Suddenly, the New Wave was rolling, and on the crest of it dozens of ambitious young cinéastes went surfboarding to success. In the past twelve months, according to the French Film Office, at least 30 young men without previous experience in film direction have gone into production with full-length films, and already...

Author: /time Magazine | Title: Cinema: New Wave | 11/16/1959 | See Source »

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