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Since her marriage to Kostelanetz, Pons has become the top attraction at summer concerts in U. S. parks and stadiums. The coloratura voice, which even musical dopes can tell is high-priced, accounts for part of her drawing power, but not all. Andre Kostelanetz is a competent stick-waver, and on records and the radio he plays, not symphonies and not jazz, but the kind of music plain people really like: his arrangements of "standard" pieces, Victor Herbert and such, beautifully done up in balanced brass, reed and string tones, as rich as a lobster Newburg well laced with sherry...

Author: /time Magazine | Title: Music: TRILLER IN UNIFORM | 12/30/1940 | See Source »

Several seasons ago the authors of Suzanna wrote a funny play about bundling -The Pursuit of Happiness. In Suzanna they waver uncertainly between pale comments on the folly of socialist hopes in a world which loves to squat on a dime, and rather skittish comedy derived from the idea of a human stud farm...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Nov. 11, 1940 | 11/11/1940 | See Source »

Isolationists Waver...

Author: By Spencer Klaw, | Title: War Talk Dominates Harvard During 1939-40 as Faculty and Students Split Over U. S. Role | 9/5/1940 | See Source »

...after the invasion of the Lowlands, and the beginning of the Battle of France, that the isolationist front began to waver, and the war of words grew more bitter. Toward the end of May, 300 undergraduates signed a petition to President Roosevelt registering their determination "never, under any circumstances, to follow in the footsteps of the students of 1917." This raised a storm of protest in the press over the alleged defeatism and lack of patriotism of Harvard students...

Author: By Spencer Klaw, | Title: War Talk Dominates Harvard During 1939-40 as Faculty and Students Split Over U. S. Role | 9/5/1940 | See Source »

...supposed, as many do, that all they had to do was keep time with the orchestra got a quick awakening. If they omitted the conventional opening down beat of the baton, Sammy Kaye's men kept mum. The orchestra played exactly as fast or slow as the stick-waver indicated, however unintentionally. If a saxophone or trombone thought he saw a signal to come in, he did so regardless-with the result that periodically everything broke down...

Author: /time Magazine | Title: Music: Kaye and Amateurs | 7/15/1940 | See Source »

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