Word: wax
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Dates: during 1970-1979
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...wife Laura. The menu and program for a lavish dinner the Tennessee Army veterans held at the Palmer House and the entire seating plan. An 1868 reunion ribbon, some handwritten notes, two pieces of wartime paper money. One memento to his future heirs was sealed with red wax and carefully labeled: "Cigar given to John McNulta by General U.S. Grant, November 14, 1879, must not be opened for 100 years and then smoked by some one of the descendants or by some soldier who has rendered good service to his country." As a final souvenir, McNulta had tucked inside...
...railing before the iconostasis, old men and women are so crowded they can hardly cross themselves. At their feet, small children kneel. The congregation is elderly as usual, but at least a quarter seem to be young or middleaged. The chanting and the choir, the incense, the smell of wax, the glow and reflection from hundreds of candles, the sheer body heat slowly become hypnotic. In one corner of the railing is a young woman in an expensive tailored suit, eyes closed, face pale, arms at her sides. She stands rigidly, not seeming to breathe...
...Indians first began working gold, but goldsmiths were apparently plying their trade in the Americas well before the time of Christ. By the 5th century A.D., there were whole towns of gold-workers. When the Spaniards finally arrived, the Indians had mastered all the goldworking techniques, including "lost wax" casting, known in the Old World...
...hooked claw," evolving "psychic protuberances that penetrated and embraced his mind." Just in case you didn't get it, in "The Journal of the Leper," the leprous creature is no longer loved by his woman once he is cured. So instead his characters learn to withdraw; they stick wax ear plugs in their ears like the unidentified man in "Commercial" and block out all but the "subterranean whistling noise" of their own breathing...
...inside of a scrapped subway car, with seats, hanging straps, lights and all. Some 15 years later, after a revival of realism in American art that Segal, among others, helped to set off (his plaster molds, for instance, are the direct ancestors of Duane Hanson's ultrarealist wax people), his connections to Pop look tenuous indeed. In this changed context, it is the figures and their mood, rather than their surrounding artifacts, that one notices first; and they connect to an older realist tradition, far from the self-consciousness and media-play of Pop. They resemble, as the late...