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Grownups are always trying to translate the world of children into terms that make sense in their adult world. It's tricky business; for they often wax exceedingly sentimental in the process. Even the most sympathetic attempt at understanding a child's viewpoint must always be a projection of some kind of adult mystique of childhood. And this can so easily degenerate into triteness...

Author: By Kathie Amatnter, | Title: A Summer to Remember | 3/7/1962 | See Source »

...combat the noise, earplugs are partially effective. The most common are wax stopples, which can be heated and moistened in the palm just before the exam, until they are pliable enough to stuff in the ear. The palm is usually quite effective for this at the time. If the proctor's directions are then muffled, the plug can be twisted until it comes...

Author: By Charles I. Kingson, | Title: Typing of Exams Brings Criticism | 1/26/1962 | See Source »

...much time. One day. his mother asked him to make a list of some laundry she was about to send out. Almost without thinking, Senefelder wrote the list on a flat piece of limestone that had come from the quarries of Solnhofen. He used an etching crayon of wax. soap and lampblack-and got the idea that he might cover the stone with acid that would eat away the part of the surface not protected by the crayon. It worked, but in the traditional way of relief printing. At length, it occurred to Senefelder that he could get a transferable...

Author: /time Magazine | Title: Art: The Sorcery of the Stone | 1/19/1962 | See Source »

...generalize too effectively about this book, for it is too various, too uneven. Freeman apparently gave his publisher poems from an earlier period, poems that are not slick at all, but quite callow. Witness: "Who can train/the weathervane/ or tell the wind/to wax or want?" (from Acrisius...

Author: By Raymond A. Sokolov jr., | Title: Apollonian Poems | 11/28/1961 | See Source »

...small, precious-metal versions of bronze sculpture already in existence. Henri Laurens sculpted bird shapes in plaster, then cast them in gold and presented them to his family as pendants and brooches. Many of the cast-metal pieces were cast by French Goldsmith François Hugo from wax or plaster molds made by French artists...

Author: /time Magazine | Title: Art: Artists or Artisans? | 11/17/1961 | See Source »

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