Word: wayes
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Dates: during 1940-1949
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Another good bet is Shelley Winters, the tidiest little actress to come Hollywood's way in years. In A Double Life, Larceny and The Great Gatsby she played the kind of chippie-off-the-block whom men inevitably fall for and (in the movies) just as inevitably murder. She brought to her few short scenes a cheap-cologne breath of real life that lingers on. However, at present Shelley's charms, encased in her typecast, do not appear to the best advantage...
Elizabeth's womanly beauty usually makes strangers forget that she is, after all, only a youngster, but her behavior quickly reminds them of it. Beneath her breath-taking façade there is scarcely a symptom of sophistication. But Elizabeth, for all her youngish ways, is a purposeful girl in a way that Hollywood admires: she is feverishly ambitious to make a success in pictures...
...scientific circles has always been deep, popular readership has been comparatively narrow; the only U.S. translations of his works are lengthy studies of single insects, published about the time of World War I. This week the publication of The Insect World of J. Henri Fabre (Edited by Edwin Way Teale; Dodd, Mead, $3.50) gave English-speaking readers their first full view of the patient Provengal scientist whom Victor Hugo called "The Homer of the Insects...
Fabre, son of an unsuccessful innkeeper and his illiterate peasant wife, worked his way through teachers' school by hiring out as a laborer, doing odd jobs, selling lemonade at fairs. For nearly 20 years he was a professor at the Lycee of Avignon, at a salary which never came to more than $320 a year. Sacked in 1870 for letting girls come to his science classes, he supported a wife and five children for nine years by grubbing out popular science books. In the end, he saved enough money to realize a lifetime dream, buying a couple...
Last week the hard part of the work was under way. Museum cabinetmakers were making sure the beaver case would be dustproof and crackproof. The accessories man was up to his ears in drifts of paper leaves. The taxidermist was trying to decide on an oil to make one of the beavers stay wet-looking (he thought an overdose of Kreml might be the best bet). The electricians were working for a muted, dusky lighting effect. Wilson himself had three months painting ahead on the beaver background...