Word: wayes
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Dates: during 1970-1979
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This year, trade between the two countries is expected to reach an impressive total of $9.6 billion, up from $7.4 billion in 1978; it has made Taiwan the U.S.'s eighth largest trading partner. By contrast, two-way trade between the People's Republic of China and the U.S. this year will amount to $1.8 billion. Washington has quietly but systematically encouraged the bilateral trade boom. Among major recent deals: the Export-Import Bank, which sent a delegation to the island this fall, extended $500 million worth of loans during 1979. Since January, American banks have also contributed...
...promiscuous sexuality. Ben Vereen and dancers in cardiovascular body stockings hoof it up to songs with lyrics about death. A hospital fantasy sequence looks at once like an elaborate antismoking commercial, a parody of Fellini and a Vegas floor show. The results are shocking, but not in the way that Fosse intended...
Though all this takes much time to set up, the talk is at least drivel-free in a way the pompous Star Trek is not, and interest is sustained by Peter Ellenshaw's marvelous effects and designs, particularly of Schell's ship; in its amusing mixture of the plush and the technological, it recalls Captain Nemo's submarine in Disney's 20,000 Leagues Under the Sea. But it is when the visitors have to start fighting their way out of Schell's clutches that the picture begins to take...
...most of us who cannot make or buy art but do want to look at it in peace, the art boom has been a disaster. The confusion of art with bullion may have done more to alter the way people experience works of art than any event since the arrival of mass color reproduction. It may well be that my generation -the people born between 1935 and 1940 -will be the last to remember what a truly disinterested museum visit was like. Quite simply, it is now difficult and, for most people, impossible to walk into a gallery and look...
...rating mass medium. But there it collides with an older American tradition, the 19th century reformist belief that contact with works of art is morally elevating and that museums are, in spirit, secular churches. In the eddies of this confluence, the work of art, battered and sucked this way and that by incompatible necessities, becomes simultaneously prominent and invisible. It can no longer speak as it once spoke. It is asked to become not an object of contemplation, but a spectacle. In the show-biz world that replaces the more subtle processes of art appreciation, there are two kinds...