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Word: wayes (lookup in dictionary) (lookup stats)
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...falsities of fun.” But the song gradually intensifies, boasting, at its climax, full choral accompaniment, deep, forceful piano chords, and the dramatic rumble of orchestral percussion. With a switch to a major key near the end, the song’s brooding quality eventually gives way to a lighter tone, but its passion is maintained. The track ends on a truly epic note, as the full choir’s harmony and the percussion’s deep rumblings ascend to a point of almost religious fervor...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Laura Marling | 4/6/2010 | See Source »

...within the realm of possibility that they could become stay-at-home moms. Besides, if “Working” succeeds in its glorifying aims, the fate should not seem like a particularly “shitty” one: the play presents housewifely work as another valuable way to contribute to society. For Harvard students, the point would be well taken...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: Proletariart | 4/6/2010 | See Source »

...track sequencing, and the songs proceed in a decidedly clunky manner. This is illustrative perhaps of a lack of attention to the overall feel of the album, which ends up seeming like a collection of great songs pushed thoughtlessly together. There is also perhaps a certain hastiness in the way in which “Wu Massacre” has been pushed out for public consumption. The last two songs clearly serve as appalling filler, and “Criminology 2.5” even features re-used Ghostface Killah raps rather than new material. Additionally, the album?...

Author: By Colm Dubhrosa, CONTRIBUTING WRITER | Title: Method Man, Ghostface Killah, & Raekwon | 4/6/2010 | See Source »

Stark lighting accentuates the confessions of the workers against the minimalist but functional set, pushing actors to intimately reveal their hardships in a way that elaborate stagecraft might have inhibited. Ortiz’s resourceful use of the space and careful showcasing of his actors’ talents help to maintain a swift pace throughout the production, as he unwaveringly focuses on the laborers’ struggles. Especially considering this is his first directorial effort, Ortiz exhibits confidence and ease in his work...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: Musical Celebrates 'Working' Class | 4/6/2010 | See Source »

Time after time the ball sailed his way, and with an emphatic swing Erik Kuld proved that he was finally ready to take over. The Harvard men’s volleyball co-captain began the season with big shoes to fill, looking to spearhead an offense that graduated prolific outside hitter Brady Weissbourd ’09, and after a week of leading the Crimson to two victories—and leading the squad in kills—Kuld appears to have found his stride...

Author: By Max N. Brondfield, CRIMSON STAFF WRITER | Title: Kuld Taking Over at the Right Time | 4/6/2010 | See Source »

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