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What Dalton describes as her "waltz for the malt" style has enough bleary good humor and lazy musical charm that one could imagine it sung by both outlaws like Waylon Jennings and slickers like Kenny Rogers. Although she calls her music "progressive," her best songs are little nuggets in the rushing middle of the country mainstream. If Lacy's performing and writing are not of themselves unique, together they are formidable, a fact acknowledged by Billy Sherrill, CBS Records vice president and executive producer in Nashville. "There are a lot of good singers out there, but there aren...

Author: /time Magazine | Title: Music: Songs from a Loose Shingle | 7/14/1980 | See Source »

...Still, not much reason for Texans to strut quite so much, or talk quite so loud. But residents of Texas, that bizarre man-child of a nation-state on the Gulf, are notorious bitter-enders--examples of mindless Thermopylae-like heroism stud their history like the turquoise on Waylon Jennings' finger. Witness LBJ and the Alamo. Witness the protagonist of Peter Gent's novel, the washed-up cornerback Mabry Jenkins. Witness one of Gent's Texas morons, backed by oil money and an inordinate belief in the destiny of Texas, saying, "We could join OPEC and if them Yankee peckerheads...

Author: By Joseph Dalton, | Title: Why Are We in Texas? | 3/23/1979 | See Source »

...crossing over from country to pop charts and racking up sales once scarcely dreamed of in the country field. In the past two years, three such albums have gone platinum, in trade parlance (i.e., sold 1 million copies): an anthology of progressive stars titled The Outlaws, the duo album Waylon & Willie and Willie's own Red Headed Stranger. Willie's latest, Stardust, is currently one of the nation's hottest-selling country LPs, even though it consists entirely of Tin Pan Alley standards...

Author: /time Magazine | Title: Music: Country's Platinum Outlaw | 9/18/1978 | See Source »

...category they settled on was outlaw, and Willie and other road-hardened individualists like Waylon Jennings earned it in ways that went beyond unorthodox musicianship. They disdained the studded and rhinestoned outfits of Nashville stars for scruffy clothes. They ducked the record-company celebrity mills for a life of carousing and missed appointments. Willie also met and married a red-haired country singer named Shirley Collie. Though the marriage was to last ten years, it was nowhere near as harmonious as the records they occasionally cut together. Once when Willie came home drunk, Shirley, who knew a little kung...

Author: /time Magazine | Title: Music: Country's Platinum Outlaw | 9/18/1978 | See Source »

...Michael Murphey, started in Austin but moved on to other locales. Now living in Evergreen, Colo., Murphey has a cooler sound than many of the progressives and writes lyrics about themes like urban sprawl and the advent of fast-food chains where the Cavalry once rode. Still others, like Waylon Jennings, the only member of the movement to share superstar status with Willie, never lived in Austin at all. Jennings comes by his affinity through his outlaw tendencies and through his capacity to make honest and appealing music, as Willie does, out of all his disorder and early sorrow...

Author: /time Magazine | Title: Music: Country's Platinum Outlaw | 9/18/1978 | See Source »

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