Word: waywardly
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Dates: during 1990-1999
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...very admirable. McCauley builds the climax with the ingenuity of an experienced comic novelist. Curling through the book has been the saga of Patrick's efforts to get a Harvard professor and his secret mistress a scarce reservation in Bermuda. After the kind of sure but wayward plotting that marks the work of David Lodge, Britain's master of academic foolery, it turns out that Patrick gets to enjoy the booking and the island's velvet sands -- with Arthur a thousand miles north...
...behest, after he has thwarted her lust, is sickening yet hypnotic -- and is based on biblical-era chronicles. The pervasive homosexual passion is faithful not only to Wilde but to the culture he portrays. Pacino presides with calculated distraction and studied effeminacy that drop away, as he betrays the wayward Salome, to reveal the steely cruelty of a conqueror...
...value of the House of Windsor today: as a distraction. At a time of anguish over Britain's national direction, a Hollywood-style cult of celebrity surrounding Queen Elizabeth II's offspring has endowed the royal clan with a more modern relevancy. The Queen's second son and his wayward wife provided everything in the way of gossip-page dramatics that their 1986 wedding seemed to herald. But in the end, the couple proved to be unsuitable for each other...
...women of country music used to wait for their wayward husbands to come home, or stand by them even when they didn't. But to country music's postfeminist performers, both scenarios seem a waste of time. The middle-aged women in K.T. Oslin's work are busy warning their lovers that they are chronically fickle, are having careers while their ex-husbands have custody of the child, or are just plain contemplating the legacy of their past revolts. "Oh we've burned our bras and we've burned our dinners/ And we've burned our candles at both ends...
...book is both bad and great, its prose lopsided and its effects crude, its power and pathos undiminished. In adapting it anew, California's Berkeley Repertory Theater has retained all the virtues and many of the faults. The first half of Neal Bell's script seems wayward, slow and sometimes cute, in part because director Sharon Ott opts for a too stylized manner of acting. The second half is riveting. This is a story of downward mobility, about a miner turned dentist (sans diploma) who winds up defrocked and doomed in an abandoned mine. In a stunning coup de theatre...