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...patter. They try to cheer up stalled motorists with a little humor. "There must be a lot of ladies out tonight," Warren Boggess of San Francisco's KSFO likes to say. "I see cars swerving in and out of traffic lanes." Reporting for New York's WCBS, Bob Richardson and Neal Busch call themselves "Orville" and "Wilbur," their helicopters "help-o-copters." Last month Los Angeles' KABC hired a pair of chatty girls, blonde Kelly Lange and brunette Lorri Ross, to be traffic spotters. Outfitted in snug, silver pants, the girls quickly mastered the special vocabulary used...

Author: /time Magazine | Title: Broadcasting: Above It All | 3/10/1967 | See Source »

Yesterday her photograph and stories about her candidacy appeared in the Boston Globe, Herald, Record-American, and Christian Science Monitor, as well as on the United Press International and Associated Press wire services. She was interviewed on WHDH television, WNAC, WORL, WNEW, and WCBS radio...

Author: NO WRITER ATTRIBUTED | Title: Faye Retires to Country Retreat Beyond the Reach of News Media | 1/15/1965 | See Source »

...giant minds of the television industry took thought. Time-wise, there was one big gap: from 3 a.m. to 6 a.m. the nation's screens were pitch grey. Manhattan's station WCBS-TV, the biggest single moneymaker in the country, took the problem in hand, ran it up a couple of flagpoles, and brought back an old glory of a solution: the Late Late Late Late Show...

Author: /time Magazine | Title: Television: For Unsleepy People | 5/3/1963 | See Source »

...WCBS-TV's decision was reached only after extensive research proved that there was actually an audience potential. The New York Transit Authority reported that nearly 250,000 people pass through the New York subway system between 3 and 7 a.m. An "Occupational Wage Survey" conducted by the Bureau of Labor Statistics showed that 448,000 people leave their jobs at midnight. Nine weeks ago, the station started round-the-clock programming, offering a diet of (what else?) old movies...

Author: /time Magazine | Title: Television: For Unsleepy People | 5/3/1963 | See Source »

...WCBS-TV New York started its series with an original modern dance by 28-year-old Norman Walker. It was arty, erotic, and somewhat constipated, centering on a noble youth who seemed to have trouble deciding in what direction his basic current flowed. It seemed to dazzle the audience, however, since the Repertoire Workshop's ballet scored higher ratings than its competition. NBC's The Virginian and ABC's Wagon Train. Philadelphia showed young actors in Thornton Wilder's Pullman Car Hiawatha. Two Chicago housewives-whose principal credits are six children-contributed a short play...

Author: /time Magazine | Title: Television: Nationwide Workshop | 1/11/1963 | See Source »

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