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Nobody seems too nervous. “We??ve been rehearsing since about February,” says Nelson. “I feel really good about how things are coming together; this is my sixth consecutive show and this one definitely has come together. We did runs last week that were pretty good...
...want students to understand that the position we??re in is not adversarial—it’s an educational board,” said Howell. We??re not writing them off and saying ‘Go away.’ We??re saying, ‘Here’s what we think makes sense for you to do, and we expect you to come back; we expect you to learn from...
...spread out across the room, supervising and talking with the rest of the cast. For all their relaxed demeanor before, today is serious business. Su calls everybody in, and explains that they must run through it again but this time paying attention to the small things. “We??ll be shouting at you,” warns Feliz-Taveras, wearing her sweet grin that suggests anything...
...sensed this great disconnect between the political class and the artistic class, a lack of interest, a lack of involvement, which struck me as tragic because we??re not economic animals—we??re ultimately cultural animals. We are who we are, the language we speak, the notions we entertain, all of these are cultural, the things we do artistically, the things we take in. So to have a class that was so disconnected culturally struck me as very dangerous. I thought: what can I do as a citizen, a citizen of the arts...
...like using animals because I find that they help me tell my stories. We??re very cynical about our own species, we??re less cynical about wild animals. I noticed that with “Life of Pi” that people were taken in by the animals. It’s strange, I don’t know why, but in adult fiction, there aren’t very many animals. We seem to confine animals to the world of children’s literature. Their symbolic potential to me is infinite. An animal...