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...breakthrough: his nomination for Lieutenant Governor in 1985. Virtually no leading white politicians wanted Wilder on the ticket; the issue was whether they would risk his wrath to keep him off. Wilder cemented a successful alliance with Baliles, the underdog for the gubernatorial nomination, because he was in the weakest position to resist a black running mate. "There were people in the Baliles campaign," Wilder recalled afterward, "who didn't want me on the ticket either...

Author: /time Magazine | Title: Breakthrough In Virginia Dougas Wilder | 11/20/1989 | See Source »

Find a silver-bullet issue even more powerful than race. The Wilder camp braced for a close contest, even after Coleman, perhaps their weakest Republican challenger, won a bruising three-way G.O.P. primary. Coleman immediately launched a fusillade of negative spots, dredging up the personal charges against Wilder from the 1985 campaign. Without a cutting issue to transform the debate, the internal calculus in the Wilder campaign was that its candidate was mired at around 45% support, partly because of Democratic defections stemming from a rancorous coal miners' strike in southwestern Virginia and a Labor Day riot among black college...

Author: /time Magazine | Title: Breakthrough In Virginia Dougas Wilder | 11/20/1989 | See Source »

...looking for cryptical envelopment, Built to Last is not for you. Lyrically, this proves to be one of the Dead's weakest albums, and the heightened clarity of the vocals on most of the tracks only exacerbates this problem. Lyrics are saccharine, repetitious and occasionally grating. Few of the songs are distinguished by musical or lyrical ingenuity...

Author: By David L. Greene, | Title: Still Truckin' | 11/3/1989 | See Source »

...short, is once again delivering laughs. So why, for a veteran fan, does the new Saturday Night Live still seem like a pale imitation of its old self? For one thing, the most popular bits -- Carvey's Church Lady, the body-building brothers Hans and Franz -- are the weakest parts of the show, crowd pleasers that depend on makeup gimmicks rather than nimble gags. Too many sketches are pat and obvious in ways that the old group wouldn't have tolerated (a team of ad executives, marooned on an island, worries more about meetings and market surveys than about building...

Author: /time Magazine | Title: Video: At 15, Saturday Night Lives | 9/25/1989 | See Source »

Whose narrative is hard to say. No one is credited with writing the book. The wry and suave lyrics are attributed to Don Black, who was Lloyd Webber's main collaborator on Song and Dance, and to Charles Hart, whose words were the weakest part of Lloyd Webber's Phantom of the Opera. Major contributions were surely made by the composer and by director Trevor Nunn, and the storytelling is also enhanced by Maria Bjornson's dreamlike designs. They shift fluidly from a naturalistic mansion courtyard to a mountain range at sunset conveyed by just a jagged line of reddish...

Author: /time Magazine | Title: Theater: A Trio of Triumphs in London | 7/3/1989 | See Source »

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