Word: weaponã
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...Brand New returns with their lyrically smart, emo-laced rock concoctions that promise to reunite you with your darker side. Their new album, “The Devil and God Are Raging Inside Me,” is their third studio album after debut “Your Favorite Weapon?? and 2003’s mainstream success, “Deja Entendu.” This new album marks the major label debut for the Long Island band. Typically classified under the broadening genre of emo, Brand New writes songs with wit and sarcasm that transcends stereotypical Dashboard...
...purportedly does no permanent damage and yet completely immobilize its victims. This is how the public perceives them at least and, to our dismay, evidently many users of NLWs share the perception. In fact, however, no thorough medical review of their effects has been carried out, and since the weapon??s most extensive testing was conducted by the company that sells them, human rights groups have questioned the label "non-lethal." Yet even if Tasers pose no risk of death for their victims, at the very least they inflict severe pain. The weapon??s image...
...Indiana Jones,’ which I think of as kind of a fantasy-comedy—but ‘Indiana Jones’ is as close I’ve come to doing an action film. I think of films like ‘Lethal Weapon?? as action films, and I’ve never actually done one like that.” Despite appearing in nearly 60 films since 1966, Harrison Ford shows no signs of slowing down his film persona. Indeed, his latest action flick, “Firewall,” features...
Black was one of Hollywood’s darlings when his script for “Lethal Weapon?? reestablished the buddy-cop genre. With “The Long Kiss Goodnight,” he became Hollywood’s highest paid screenwriter and went home to enjoy the smell of millions of dollar bills. And that, apparently, made him bitter. Who knew that getting paid lots of money could get you so angry...
Screenwriter Shane Black, the guy behind a bunch of unremarkable mid-90s action movies (such as “Lethal Weapon??) most recently directs and writes “Kiss Kiss Bang Bang,” a smart-assed labor of love, both a hokey pulp murder-mystery and satire of same, starring Robert Downey Jr. and Val Kilmer. The film’s most dubious aspect, though, is a bizarre half-baked subplot involving child sexual abuse. In an interview with The Harvard Crimson, Kilmer and Black—either from jet-lag or sheer fatigue...