Word: weaseled
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Dates: during 1990-1999
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Given these sketchy outlines, Stiller and Garofalo do the best jobs at making truly hip and interesting pop culture references and fleshing their characters out into funny, believable people. Stiller's Michael could have easily been a weasel, but his technological ineptitude (he still doesn't quite have the knack of driving while talking on the cellular phone), his sense of humor, and the feeling that he really cares for Leleina, make him into a nice, normal...
excuse for nutrition? (Whoops, how did that slip out? Sorry, MICHAEL "THE WEASEL" BERRY. What is this, backstage...
This is the ninth stage play that the TNT cable network has sensitively adapted since 1990, including Tennessee Williams' lyrical Orpheus Descending, Jon Klein's rowdy T Bone 'n Weasel and Mamet's own burst of cynicism, The Water Engine. Each has been respected yet retooled to broaden its reach. While A Life in the Theatre is steeped in particulars of the stage, it works as a powerful metaphor for life in any career. Older people are always feeling that tradition is being dishonored and their accumulated lore and knowledge devalued. Younger people always impatiently demand their turn...
Some of Klee's earlier work is more representational, though highly stylized, while his later pieces are colorful non-objective works. In "Menacing Head" (1905) a man stares from the frame with an intense gare, a small weasel-like animal perched on top of his head (although the fact is similar to Klee's this work is not considered a self-portrait). This early work foreshadows his later exploration of abstract visual symbolism. As the gallery notes state, Klee uses the two components to "expose human malvolence...
...WEASEL: Diplomatically dexterous Mustela...