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Word: weasels (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...rhetorical magic of the speech-what made it extraordinary-was that it was, at once, both unequivocal and healing. There were no weasel words, no Bushian platitudes or Clintonian verb-parsing. Obama was unequivocal in his candor about black anger and white resentment-sentiments that few mainstream politicians acknowledge (although demagogues of both races have consistently exploited them). And he was unequivocal in his refusal to disown Wright. Cynics and political opponents quickly noted that Obama used a forest of verbiage to camouflage a correction-the fact that he was aware of Wright's views, that he had heard such...

Author: /time Magazine | Title: Obama's Challenge — and Ours | 3/19/2008 | See Source »

...that it could not host playoff games until Chief Illiniwek was retired. The school complied—until last month’s homecoming parade, where it allowed chief-decorated floats. Since the NCAA’s ultimatum applied only to athletic events, the parade allowed the university to weasel its way out of the restriction. It is outrageous that Illinois is undercutting its official stance by trying to have it both ways. Racism cannot be compromised; it’s one or the other for a reason...

Author: By Nathaniel S. Rakich, CRIMSON STAFF WRITER | Title: RIP Chief Illiniwek | 11/13/2007 | See Source »

...Live Free or Die” follows Rugged through exploits and errors alike, introducing the audience to a cast of likeable but one-dimensional characters who (like the whole of the movie) are initially amusing but fail to develop depth. Stanford’s Rugged is a weasel of a man, so insecure and pathetic that his rapid-fire con-man act sounds more pitiable than convincing. Schneider’s Lagrand is a one-trick pony of affected mannerisms—a special-ed voice and a twitching hair flip—that becomes seriously annoying by film?...

Author: By Mollie K. Wright, CRIMSON STAFF WRITER | Title: Live Free or Die | 4/6/2007 | See Source »

...fiery ambiguities marked Salvador, which opened early this year and has found welcoming bunks in the rep houses and on videocassette. There the path to wisdom led not from innocence but from noncommittal hipness. James Woods, the movies' definitive Sidney Sleaze, plays a renegade war correspondent, a self-proclaimed weasel with an itchy social conscience. In El Salvador (and, climactically, back in the States), he learns firsthand of atrocity and duplicity in the name of law. Because the protagonist is knowing instead of naive, Salvador never slips into the haranguing righteousness of Platoon. If Salvador nonetheless seems a smaller film...

Author: /time Magazine | Title: Cinema: A Document Written in Blood PLATOON | 1/26/2007 | See Source »

...advice from people currently working in the publishing industry.“You ask questions as you go, you pretend you’re dumb, and then you take the information and run with it,” Matthews says. “You learn a lot how to weasel information out of people, because no one wants to help you with your career because that means you’re competition.”“When we’re just starting out, we’re just like everyone else,” Skelton says...

Author: By Jillian J. Goodman, CONTRIBUTING WRITER | Title: Junior Debuts NYC Mag | 11/16/2006 | See Source »

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