Word: weasels
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Fried: Now, the word "qualified" is often used, and it is of course the central weasel word in this debate. I can't imagine what it means to be qualified to teach at the Harvard Law School, because qualification suggests some kind of minimum standard in the way that somebody might be qualified to be a policeman, or somebody might be qualified to get a driver's license. I suppose that the notion at institutions such as Harvard is not to get people who are qualified, which is a minimum standard, but to get those who are the best...
Jill Rosen (Rosanna Arquette) is bright, Jewish and just pretty enough to be told she has that Audrey Hepburn quality. "Sheik" Capadilupo (Vincent Spano) is Italian and shiftless, with Vaselined hair and a wardrobe that Giorgio Armani might have designed for Jimmy ("the Weasel") Fratianno. She loves rock 'n' roll, he loves Sinatra. She's going to Sarah Lawrence, he's going nowhere. They have nothing in common but an over whelming love for her. But something in Jill thrills to the troubles Sheik gets himself into and to the threat he poses to her middle...
Napolitano deserves all the vituperation she has gotten, for plagiarism is the most serious academic crime possible. Her pathetic attempts to weasel out of penalties on sophistries--she insisted just two weeks ago that "there was no attempt on my part to deceive" her Spanish professor--warrant equal criticism. But as her legal appeals drag through the courts interminably, it becomes increasingly clear that other issues relating to the campus case--besides just how unethical Napolitano's behavior has been--are much more intriguing...
...production floats as serenely and effortlessly as the swans in the nearby zoo. Ellis Rabb, who also has a long association with the theater, is best as Jaques, that amusing figure who cherishes sadness and brags that he "can suck melancholy out of a song as a weasel sucks eggs." Almost no one else is less than capable. But perhaps the real star of the evening is Designer Hay, who stayed on after completing the interior of the theater to create a beautiful and beguiling Forest of Arden for the premiere production...
...policemen learn," Wambaugh writes, "life imitates not art but melodrama," and he enlivens his dense tale with vivid examples. His heroes carom off two patrolmen dubbed "street monsters" for their appetite for violence; a Marine posing for gay sculptors; the Ferret and the Weasel, a pair of frenzied narcs; a Vietnamese assassin; Tuna Can Tommy, a flasher with a phenomenal physique; and a massage-parlor hostess called Jackin Jill...