Word: weaverization
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...civil rights leaders, Claude Weaver '65, president of the Harvard Civil Rights Co-ordinating Committee, and Archie Epps, a graduate student in sociology, also stressed the different potential for success of the two movements. Epps went on to argue that until Negroes have full civil rights, "other movements will not be alive...
...Weaver also rejected any close connection with the peace movement, although he asserted that as the rights movement grows more radical, it will come to share the other's unpopularity, and cease being "fashionable," as at present. Weaver expressed the opinion that this radical shift has already begun, and that student activists such as he have taken the leadership of the movement away from "the Negro lawyers in grey suits...
Panelists will include two former chairmen of Tocsin, Peter C. Goldmark '62 and Todd A. Gitlin '63, the current president of the Civil Rights Coordinating Committee, Claude Weaver '65, and Archie C. Epps, graduate student in sociology...
...buffet dinner to celebrate the 100th anniversary of the Emancipation Proclamation. "Hypocritical," cried the upstaged Republican National Committee. Among the President's guests: Roy Wilkins, executive secretary of the N.A.A.C.P., John Johnson, publisher of Ebony, and, of course, the most prominent Negro members of the Administration-Robert C. Weaver, head of the Housing and Home Finance Agency, and Carl Rowan, Ambassador-designate to Finland. Menu: shrimp Creole, curried chicken, ham, turkey, and two kinds of punch, not counting the political kind...
...Broadway's highly promising Jack (The Prodigal) Richardson, but his play glutted the Broadway commodity exchange with pretentious bosh delivered in bloated rhetoric. A Renaissance acting troupe caught in the crossfire of a small war in north Italy provided the forum for a general, kinesthetically acted by Fritz Weaver, and an actor, lushly hammed by Alfred Drake, to debate the play's theme, which was either the futility of war and the durability of art or the futility of art and the durability of war, playgoer's choice...