Word: webbe
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Dates: during 1950-1959
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Shambling through downtown streets like a man in plowed ground, leathery little Walter Prescott Webb looks every bit his part: a shrewd real estate trader in Austin. Texas. But Walter Webb, raised in the alkali flats of West Texas, schooled in the saddle, and for 40 years a professor at the University of Texas, is also his generation's foremost philosopher of the frontier, and the leading historian (The Great Plains, The Texas Rangers) of the American West. At 71, he has been made the hero of a sort of plainsman's festival of letters-a collection...
Fibrillation. In London, Frank Webb got turned down on his plea for divorce when he left home to become a "better spiritualist," complained that the "vibrations are all wrong" at his house...
Director Lewis Milestone (All Quiet on the Western Front), strongly seconded by Scriptwriter James R. Webb and Producer Sy Bartlett, seems determined to proclaim the dignity of the individual at the moment, in the heat of battle, when it seems to matter least. Like Lincoln at Gettysburg, Milestone declines to insult the dead with his approval. Like Analyst Marshall, he is satisfied to report simply and brutally: "The American character continues to meet the test of great events...
...Brinson Jr. were questioned about an apparent $4,650 overcharge on the state purchase of gardening machinery. Jones got to Jury Foreman Edward Westlake, 39, and proposed a $100,000 payment for hamstringing that and other investigations. Westlake refused, reported the offer to State Solicitor General Paul Webb. At Webb's urging, Westlake got in touch with Jones again, hinted at a change of heart. Meeting at an Atlanta tree nursery, the two agreed on a $10,000 price tag on the single charge against Jones...
Perhaps less can be said for John Cazale and Mary Weed, who played the lovers George Gibbs and Emily Webb. Mr. Cazale's hair is somewhat thinner than one would expect in a sixteen-year-old, and at times he mumbled more like a troubled suburbanite than a New Hampshire swain. Certainly nothing could be said against Miss Weed's interpretation of Emily, which became truly moving in the final scene of the play. But she looked "dressed down" to meet the sixteen-year-old requirement, and was simply not the willowy schoolgirl expected...