Word: webber
(lookup in dictionary)
(lookup stats)
Dates: during 1980-1989
Sort By: most recent first
(reverse)
Written by Andrew Lloyd Webber and Tim Rice...
...think we've got a long way to go before the house of cards collapses," says Larry Gerbrandt of Paul Kagan Associates. "On any given night, with any given show, they have the ability to attract a predominant share of the TV audience." Alan Gottesman, media analyst at Paine Webber, asserts, "The next thing you will hear will be the turning of the worm. There is an operating cycle of about two years in this business. Each network has gone through a semicataclysmic change in management. If you add two years to that, you come to the bottom...
NOBODY KNOWS THE TROUBLE THEY'VE SEEN. Retail stock brokerages are suffering because small investors, a primary source of commissions, are staying out of the market. Nearly 16,000 securities-industry workers have lost their jobs, while profits have plunged at such firms as Merrill Lynch and Paine Webber. The largest investment houses have survived the down cycle, with one exception: E.F. Hutton, already suffering from a check-kiting scandal before the crash, nearly collapsed afterward and was absorbed last December by Shearson Lehman...
...then there is Cats, Andrew Lloyd Webber's extravagant musical adaptation of Eliot's book of light verse, Old Possum's Book of Practical Cats (1939). The smash show has been seen by some 25 million people in 15 countries and contributed more than $2 million in royalties to the Eliot estate. Purists shudder at such commercial success and its spin-offs. Says Critic Hugh Kenner: "Eliot wanted to connect with a popular audience, but Cats wasn't what he had in mind...
...came to prefer works that had been pretested in London, where costs are cheaper and audiences perhaps more forgiving. In the early '80s, dramas by Tom Stoppard and Peter Shaffer dominated the Tony Awards for plays; while in the past few years, Trevor Nunn's staging and Andrew Lloyd Webber's melodies have provided the very definition of hit musicals. This year, though, a clog is developing in the transatlantic pipeline. While London offers the customary array of starry revivals, there are just two new plays of consequence -- by, as it happens, Stoppard and Shaffer -- and no worthy musicals...