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music by Andrew Lioys Webber...

Author: By Brady S. Martin, | Title: Evita Manipulates Her Way to Immortality | 10/15/1992 | See Source »

...cliched, but so begins the Colonial Theatre's version of Andrew Lloyd Webber's famed Evita. Webber's solo efforts include mega-hits Cats and The Phantom of the Opera. Evita, on the other hand, was written 16 years ago with the help of lyricist Tim Rice, whose previous collaborations with Webber include Jesus Christ Superstar and Joseph and the Amazing Technicolor Dreamcoat...

Author: By Brady S. Martin, | Title: Evita Manipulates Her Way to Immortality | 10/15/1992 | See Source »

...CREEPING IN ON LITTLE CAT FEET FOR THE MUSIC OF ANDREW LLOYD WEBBER. This touring concert stomps into Manhattan's Radio City Music Hall for a two-week visit with a 52-piece orchestra, twice the size of the usual Broadway pit band. Early on, overamplification and pretension threaten to do in the evening. Ultimately, though, Sir Andrew's lush, melodic theater music seduces. From Jesus Christ Superstar to The Phantom of the Opera, all the hits are here. A virtuoso company of 14 makes even the most familiar songs seem fresh (Laurie Beechman's poignant Memory is a knockout...

Author: /time Magazine | Title: Short Takes: Oct. 5, 1992 | 10/5/1992 | See Source »

Music is said to soothe the savage breast but perhaps in this case the misquote is more apropos. Music does indeed soothe the savage beast in Sir Andrew Lloyd Webber's The Phantom of the Opera. Based on Gaston Leroux's famous novel, Phantom tells the story of young Christine Daae (Patti Cohenour) whose career as an opera star is launched by the Phantom, a disfigured, masked composer who haunts the opera house. Their story reveals the tragedy and beauty of unrequited love...

Author: By Danielle A. Phillip, | Title: Phantom Haunts the Wang Center | 10/1/1992 | See Source »

Today's most popular shows take no such chances. Perhaps there is something right about a season in which Frank Loesser, dead since 1969, has as many shows on Broadway as Lloyd Webber. But there is also something very wrong. Not one recent main-stem show has been set in today's America or taken inspiration from the best of today's pop music. Broadway is now the museum of the American musical. Guys and Dolls, for all its snazz and lilt, is a faithful revival of Loesser's 1950 hit. Crazy for You is a jolly update of Gershwin...

Author: /time Magazine | Title: Broadway's Record Year | 9/14/1992 | See Source »

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