Word: webber
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Such problems have plunged most firms into the financial doldrums. Merrill Lynch, the largest U.S. brokerage, reported last week that its first-quarter profits tumbled to $37.2 million, down 46% from a year ago. Paine Webber Group said its earnings dropped 56%, while Dean Witter's income was off nearly 40%. Shearson Lehman Hutton suffered a particularly harsh blow. After writing down its holdings in MCorp, a troubled Texas banking firm, Shearson reported a $15 million loss for the quarter. Overall, the before-tax income of U.S. securities firms slumped to $450 million, down 60% from the first quarter...
...posh road stop for the British musical; the '80s' three signature smashes (Cats, Les Miserables and The Phantom of the Opera) were born in London. Jacobs tacitly acknowledges this when he proclaims Robbins "a genius, probably the genius of our time," then adds, "God pity me if Andrew Lloyd Webber hears that...
...popular wavelength encourage his sweeping fantasies of success but do not dilute his often self-mocking sense of humor. One recent inspiration was to reverse the usual order of dressing and put underwear on over the trousers. The look may not catch on at Paine Webber, but Bikkembergs is hardly the first young upstart to show off his talent by flouting convention...
...surefire moneymaker on the current musical scene is Andrew Lloyd Webber, the British composer whose shows have been about felines, religious figures and monsters -- anything but old-fashioned romance, conventional boy meets girl. In hopes of matching Webber's profits, today's producers imitate his preference for way-out concepts, the loopier the better. Part of the reason such masters as Lerner and Loewe made it look so easy is that they did not feel compelled to contort themselves and their stories. Maybe they knew something worth rediscovering...
STAND back, Harvard theater-goers. You want to know what you're going to get in Evita? Just a little touch of star quality. The Loeb Mainstage production of Andrew Lloyd Webber and Tim Rice's last collaborative effort is without a doubt one of the best musical productions Harvard has seen in years...