Search Details

Word: webber (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...layover when they used to fuss. It's just to build up mileage." Passengers go out of their way to stay on the same carrier whenever possible. That is the main benefit that frequent-flyer clubs offer to the airlines. Says John Pincavage, an airline analyst at the Paine Webber investment firm: "The | frequent-flyer plan is the only marketing program that has ensured brand loyalty...

Author: /time Magazine | Title: Free-For-all In the Skies | 3/7/1988 | See Source »

Some of the show's lures are known commodities: Composer Andrew Lloyd Webber (Cats, Jesus Christ Superstar) and Director Harold Prince (Cabaret, Follies) have mounted some of the flashiest spectaculars of recent years, including their prior collaboration, Evita. Practically everyone, it seems, has seen a movie version of Phantom, although few have read Gaston Leroux's turgid 1910 thriller about the hideously misshapen genius who constitutes himself the shadow ruler of the Paris Opera House and, upon becoming infatuated with a chorine, maneuvers her career from afar. The beauty-and-the- beast theme and subterranean wonderland setting echo the myths...

Author: /time Magazine | Title: Theater: Music Of The Night THE PHANTOM OF THE OPERA | 2/8/1988 | See Source »

...London, and therein lies the show's chief weakness. As the Phantom -- musically, a tenor good guy rather than a baritone baddie -- Michael Crawford gives the most compelling performance currently to be found on any Broadway stage. The character is an extortionist, kidnaper, incendiary and murderer. Yet as Lloyd Webber conceived him and Crawford plays him, he is also a romantic capable of true selflessness and is all too easily forgiven. As his rival, Steve Barton is blandly tuneful and smugly self-assured, which is all the role demands. The narrative tension is meant to emanate mainly from the virginal...

Author: /time Magazine | Title: Theater: Music Of The Night THE PHANTOM OF THE OPERA | 2/8/1988 | See Source »

...Lloyd Webber gives his wife every help, beginning with her vocal introduction. Although Phantom is garlanded with opera pastiche, it subliminally nudges opera aside in favor of pop by offering the winsome ballad Think of Me first in the overripe, rococo style of a diva (Judy Kaye), then in Brightman's appealingly unadorned rendition. The device hints that the Phantom and his chosen instrument will become the means for remaking musical entertainment. If that claim is to be taken as Lloyd Webber's judgment of his own role in the theater, however, it seems premature. His knack for crafting...

Author: /time Magazine | Title: Theater: Music Of The Night THE PHANTOM OF THE OPERA | 2/8/1988 | See Source »

...British composer of Evita and Cats has his biggest hit yet in Phantom, which opens Jan. 26 after an all- time- record advance sale. With his shows playing from Budapest to Tokyo, Lloyd Webber, 39, presides over a musical empire that brings him more than $1 million a month (though not always critical acceptance) and is making him a superstar. See SHOW BUSINESS...

Author: /time Magazine | Title: Time Magazine Contents Page January 18, 1988 Vol. 131 No. 3 | 1/18/1988 | See Source »

Previous | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | Next